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The topic of the poem is Advent, the time period in the annual liturgical cycle leading up to the anniversary of the coming of Christ, a period of great spiritual and symbolic significance within the Church — for some in early medieval Europe a time of fasting, and the subject of a sermon by Gregory the Great (AD 590-604). [2]
And being found in fashion as a man, he humbled himself, and became obedient unto death, even the death of the cross. Wherefore God also hath highly exalted him, and given him a name which is above every name: That at the name of Jesus every knee should bow, of things in heaven, and things in earth, and things under the earth;
The 63-line poem (the shortest of the Eclogues) begins with an address to the Muses.The first few lines have been referred to as the "apology" of the poem; the work, much like Eclogue 6, is not so much concerned with pastoral themes, as it is with cosmological concepts, and lines 1–3 defend this change of pace. [4]
The Roman emperor Constantine the Great was one of the first major figures to believe that Eclogue 4 was a pre-Christian augury concerning Jesus Christ. [9]According to Classicist Domenico Comparetti, in the early Christian era, "A certain theological doctrine, supported by various passages of [Judeo-Christian] scripture, induced men to look for prophets of Christ among the Gentiles". [10]
Heliand excerpt from the German Historical Museum. The Heliand (/ ˈ h ɛ l i ən d /) is an epic alliterative verse poem in Old Saxon, written in the first half of the 9th century.. The title means "savior" in Old Saxon (cf. German and Dutch Heiland meaning "savior"), and the poem is a Biblical paraphrase that recounts the life of Jesus in the alliterative verse style of a Germanic ep
The Nativity or birth of Jesus Christ is found in the biblical gospels of Matthew and Luke.The two accounts agree that Jesus was born in Bethlehem, in Roman-controlled Palestine, that his mother, Mary, was engaged to a man named Joseph, who was descended from King David and was not his biological father, and that his birth was caused by divine intervention.
Cento Vergilianus de laudibus Christi (Latin: [ˈkɛntoː wɛrɡɪlɪˈaːnʊs deː ˈlau̯dɪbʊs ˈkʰriːstiː]; A Virgilian Cento Concerning the Glory of Christ) [nb 1] is a Latin poem arranged by Faltonia Betitia Proba (c. AD 352–384) after her conversion to Christianity.
Christ II, also called The Ascension, is one of Cynewulf's four signed poems that exist in the Old English vernacular. It is a five-section piece that spans lines 440–866 of the Christ triad in the Exeter Book (folios 14a-20b), and is homiletic in its subject matter in contrast to the martyrological nature of Juliana, Elene, and Fates of the Apostles.