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Ibsen is the most frequently performed dramatist in the world after Shakespeare, [3] [4] and A Doll's House was the world's most performed play in 2006. [ 5 ] Ibsen was born into the merchant elite of the port town of Skien , and had strong family ties to the families who had held power and wealth in Telemark since the mid-1500s. [ 6 ]
A Doll's House (Danish and Bokmål: Et dukkehjem; also translated as A Doll House) is a three-act play written by Norwegian playwright Henrik Ibsen.It premiered at the Royal Danish Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month. [1]
Ibsen's Kingdom: The Man and His Works is a book about Henrik Ibsen and his works by Evert M. Sprinchorn (1923–2022), an American Scandinavian literature scholar. It was published by Yale University Press in 2021 when Sprinchorn was 98. It is described as a biography and more specifically as a biographical reading of Ibsen's plays. [1]
Hedda Gabler (Norwegian pronunciation: [ˈhɛ̂dːɑ ˈɡɑ̀ːblər]) is a play written by Norwegian playwright Henrik Ibsen. The world premiere was staged on 31 January 1891 at the Residenztheater in Munich. Ibsen himself was in attendance, although he remained back-stage. [1]
The Master Builder was the first work Ibsen wrote upon his return to Norway in July 1891 after many years spent elsewhere in Europe. It is usually grouped with Ibsen's other works written during this late period of Ibsen's life such as Little Eyolf, John Gabriel Borkman, When We Dead Awaken, and Hedda Gabler. Early reactions to the play by ...
Realism was a general movement that began in 19th-century theatre, around the 1870s, and remained present through much of the 20th century. 19th-century realism is closely connected to the development of modern drama, which "is usually said to have begun in the early 1870s" with the "middle-period" work of the Norwegian dramatist Henrik Ibsen ...
Ghosts (Danish: Gengangere) is a play by the Norwegian playwright Henrik Ibsen. It was written in Danish and published in 1881, [1] and first staged in 1882 in Chicago, Illinois, US, performed in Danish. [2] Like many of Ibsen's plays, Ghosts is a scathing commentary on 19th-century morality.
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