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In the classical period, the Latin word opus ("work", "labour"), plural opera, was used to identify, list, and catalogue a work of art. [1]By the 15th and 16th centuries, the word opus was used by Italian composers to denote a specific musical composition, and by German composers for collections of music. [2]
Opus One may refer to: "Opus No. 1", a tune by Sy Oliver and Sid Garris "Opus Number One", a composition known for its use as music on hold; Opus 1, by Yugoslav progressive rock band Opus; Opus One Winery, United States; An alternative title for the 1971 demo versions of Mike Oldfield's 1973 album, Tubular Bells
In music, Op. 1 stands for Opus number 1. Compositions that are assigned this number include: Bach – Partitas for keyboard; Bartók – Rhapsody; Beethoven – Piano Trios, Op. 1; Berg – Piano Sonata; Brahms – Piano Sonata No. 1; Chopin – Rondo in C minor; Clara Schumann – 4 Polonaises; Clifford – Symphony in E-flat
Music on hold was created by Alfred Levy, an inventor, factory owner, and entrepreneur. In 1962, Levy discovered a problem with the phone lines at his factory: a loose wire was touching a metal girder on the building.
Ludwig van Beethoven's Opus 1 is a set of three piano trios (written for piano, violin, and cello), first performed in 1795 in the house of Prince Lichnowsky, to whom they are dedicated. [1] The trios were published in 1795.
Opus 1 No. 11 370: Violin F major 1732 Opus 1 No. 12 Probably spurious 371: Violin D major c. 1749–50 Opus 1 No. 13 This sonata represents Handel's last piece of chamber music. The piece was not published by Walsh; the designation Op 1 No.13 is Chrysander's 372: Violin A major 1732 Opus 1 No. 14 Probably spurious.
The band Opus, formed and led by organist Miodrag Okrugić, from its formation in 1973 until the final breakup in 1979 went through two breakups and reformations and numerous lineup changes. [1] Opus 1 was recorded after the band's first reformation, in 1975, in the lineup which, beside Okrugić, featured Slobodan Orlić (a former Siluete ...
Op. 1, Rondo in C minor (1825) Op. 2, Variations on "Là ci darem la mano" from Mozart's opera Don Giovanni, in B ♭ major, for piano and orchestra (1827) Op. 3, Introduction and Polonaise brillante in C major for cello and piano (1829) Op. 5, Rondo à la mazur in F major (1826) Op. 6, 4 Mazurkas (1830) Mazurka in F ♯ minor; Mazurka in C ...