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He eventually began working for other companies once more, drawing The Darkness for Top Cow and teaming up with Peter David once more with Hulk: The End for Marvel. Keown also drew a crossover featuring The Darkness and the Hulk. Keown drew many of the pictures for the Hulk memorabilia that was released to coincide with the 2003 feature film ...
Triptych of Takiyasha the Witch and the Skeleton Spectre, c. 1844, Utagawa Kuniyoshi (1797–1861), V&A Museum no. E.1333:1 to 3-1922. Takiyasha the Witch and the Skeleton Spectre or Mitsukuni Defying the Skeleton Spectre Invoked by Princess Takiyasha (Japanese: 相馬の古内裏 妖怪がしゃどくろと戦う大宅太郎光圀) is an ukiyo-e woodblock triptych by Japanese artist Utagawa ...
Van Gogh included skeletons in another work from his Antwerp period, a sketch of a "Hanging skeleton and cat". [3] In 1887–88, van Gogh painted two more paintings with skulls, the only other works of his (besides a drawing from the same period) to use skulls as a motif. [2] The work measures 32 by 24.5 centimetres (12.6 in × 9.6 in).
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It arrives folded in a small package, so soldiers just have to stretch out a leg and step into foot beds underneath the boot. Straps then wrap around the thighs, waist and shoulders. Sensors in the foot pads relay information to an onboard microcomputer that moves the hydraulic system to amplify and enhance the wearer's movement.
This form possesses the raw power of the Savage Hulk and the cunning intellect of the Grey Hulk. While he does not draw on anger to empower him, the Gravage Hulk identity draws on dimensional nexus energies to increase his strength. [97] The Dark Hulk identity is the result of Hulk being possessed by Shanzar. This form has black skin and is ...
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Description: the adult skull is normally made up of 22 bones. Except for the mandible, all of the bones of the skull are joined together by sutures, semi-rigid articulations formed by bony ossification, the presence of Sharpey's fibres permitting a little flexibility