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'Blue flowers/patterns') covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide. The decoration was commonly applied by hand, originally by brush painting, but nowadays by stencilling or by transfer-printing , though other methods of application have also been used.
One of them is an oxblood red used on large decorative bowls and vases. He experimented with that glaze in odd moments over a period of a dozen or fifteen years. The color comes out in the kiln. By control of heat he controlled the behavior of the coloring. Another unique glaze he produced was a Persian blue, a turquoise blue with pebble effect.
Jasperware vase and cover, Wedgwood, about 1790, in the classic colours of white on "Wedgwood Blue". The design incorporates sprig casts of the muses supplied by John Flaxman, Sr. [1] Victoria and Albert Museum, London. Jasperware, or jasper ware, is a type of pottery first developed by Josiah Wedgwood in the 1770s.
Typical "Wedgwood blue" jasperware plate with white sprigged reliefs. Wedgwood pieces (left to right): c. 1930, c. 1950, 1885. Wedgwood is an English fine china, porcelain and luxury accessories manufacturer that was founded on 1 May 1759 [1] by the potter and entrepreneur Josiah Wedgwood and was first incorporated in 1895 as Josiah Wedgwood and Sons Ltd. [2]
Imari ware bowl, stormy seascape design in overglaze enamel, Edo period, 17th–18th century. Imari ware (Japanese: 伊万里焼, Hepburn: Imari-yaki) is a Western term for a brightly-coloured style of Arita ware (有田焼, Arita-yaki) Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern KyÅ«shÅ«.
1920s Mason 'Watteau' ironstone bowl, with transfer printing (see above for maker's mark from this piece) Transfer-printed designs were applied to ironstone by Mason's in an attempt to copy Chinese porcelain cheaply. Transferware is most often in one colour against a white background, such as blue, red, green or brown.
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