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Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, and classical music, for the low-pitched instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric ...
A chord generator providing different triad and seventh chords, either as organ-like chords or walking bass. The original OM-27 was only capable of playing 27 different chords, but later models allow 84 different chords.
"A walking bass line is the most common approach to jazz bass playing. The term 'walking' is used to describe the moving feeling that quarter notes create in the bass part. Just like walking with your feet, the walking bass line is one step after the other that takes you somewhere. This is an important concept to remember, the walking bass line ...
Jazz bass is the use of the double bass or electric bass guitar to improvise accompaniment ("comping") basslines and solos in a jazz or jazz fusion style. Players began using the double bass in jazz in the 1890s to supply the low-pitched walking basslines that outlined the chord progressions of the songs.
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His trademark was the rhythmic "walking" bass line, a steady series of ascending or descending notes, and it brought him the nickname "The Walker". Besides his jazz work, he also appeared on a number of soundtracks and pop albums, notably Van Morrison's 1972 album, Saint Dominic's Preview. [2]
The bass player is a member of the rhythm section in a band, along with the drummer, rhythm guitarist, and, in some cases, a keyboard instrument player (e.g., piano or Hammond organ). The bass player emphasizes the root or fifth of the chord in their basslines (and to a lesser degree, the third of the chord) and accents the strong beats.
Impro-Visor automatically creates accompaniment, such as piano, bass, and drums, from the chord sequence on a leadsheet (a capability similar to, but currently not as full-featured as that of Band-in-a-Box). The style of accompaniment is derived from a set of pattern specifications using a textual notation similar to that for melodies. [6]