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The two were referred to as the Creators, the Forefathers or the Makers. According to the story, the two gods decided to preserve their legacy by creating an Earth-bound species looking like them. The first attempt was man made from mud, but Tepeu and Kukulkán found that the mud crumbled.
Legends are stories created by anonymous authors with some basis in history but with many embellishments. They talk about facts that occurred in the near past and which characters can or cannot be human. Legends show us the rision of the world and the life that people had with historical, political, philosophical, and cultural value.
Aztec mythology is the body or collection of myths of the Aztec civilization of Central Mexico. [1] The Aztecs were Nahuatl-speaking groups living in central Mexico and much of their mythology is similar to that of other Mesoamerican cultures.
The oldest surviving written account of Popol Vuh (ms c. 1701 by Francisco Ximénez, O.P.). Popol Vuh (also Popul Vuh or Pop Vuj) [1] [2] is a text recounting the mythology and history of the Kʼicheʼ people of Guatemala, one of the Maya peoples who also inhabit the Mexican states of Chiapas, Campeche, Yucatan and Quintana Roo, as well as areas of Belize, Honduras and El Salvador.
The version of the myth with Nanahuatzin serves as a framing device for the 1991 Mexican film, In Necuepaliztli in Aztlan (Return a Aztlán), by Juan Mora Catlett. The version of the myth with Nanahuatzin is in the 1996 film, The Five Suns: A Sacred History of Mexico, by Patricia Amlin.
She was an embodiment of the chaos that raged before creation. [8] One day, the gods Quetzalcoatl and Tezcatlipoca descended from the heavens in the form of serpents and found the monstrous Tlaltecuhtli ( Cipactli ) sitting on top of the ocean with giant fangs, crocodile skin, and gnashing teeth calling for flesh to feast on.
Pictorial in nature, it tells the story of the legendary Aztec journey from Aztlán to the Valley of Mexico. Rather than employing separate pages, the author used one long sheet of amatl, or fig bark, accordion-folded into 21½ pages. There is a rip in the middle of the 22nd page, and it is unclear whether the author intended the manuscript to ...
Stories derived from the Codex Telleriano-Remensis characterized Huehuecóyotl as a benign prankster, whose tricks were often played on other gods or even humans, but tended to backfire and cause more trouble for himself than for the intended victims. A great party-giver, he also was alleged to create wars among humans to relieve his boredom.