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The "Thousand Character Classic" not only complied with the king's decree but also yielded a masterpiece that has garnered praise for over 1,500 years. It stands as the longest-enduring primer on general characters since the Six dynasties era. It also remains a classic text that calligraphers across generations vie to replicate.
Cursive is a style of penmanship in which the symbols of the language are written in a conjoined, or flowing, manner, generally for the purpose of making writing faster.. This writing style is distinct from "print-script" using block letters, in which the letters of a word are unconnect
This allows fonts to have a large character set, increasing the sophistication of design possible, and contextual insertion, in which characters that match one another are inserted into a document automatically, so fonts can convincingly mimic handwriting without the user having to choose the correct substitute characters manually. [12]
In typesetting, the hook or tail is a diacritic mark attached to letters in many alphabets. In shape it looks like a hook and it can be attached below as a descender , on top as an ascender and sometimes to the side.
The bold version was released in 1986, which several of its digital versions lack proper weight. In 1993, the fonts similar to Freestyle Script in all glyphs are called "VI My Ha Hoa" and "VI My Ha." Those fonts are all caps and designed by VISCII Fonts in 1993. URW++ used to have a version named URW Fresnel in 1996, and it is similar to this font.
A swash is a typographical flourish, such as an exaggerated serif, terminal, tail, entry stroke, etc., on a glyph. [ 1 ] [ 2 ] [ 3 ] The use of swash characters dates back to at least the 16th century, as they can be seen in Ludovico Vicentino degli Arrighi 's La Operina, which is dated 1522.
Lydian is a calligraphic humanist sans-serif [1] typeface designed by Warren Chappell for American Type Founders in 1938. It is available in bold, italic, and condensed, [2] as well as in a Cursive variant. [3]
Most of the fonts were designed by Manop Srisomporn, who made a major innovation in the form of loopless characters, which abandoned conventional letter shapes for simple, minimalist forms. The best known of these typefaces, Manoptica , was designed to invoke the characteristics of the sans-serif typeface Helvetica , and was released in 1973.
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