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Piano Trio in C minor, MWV Q3 (Mendelssohn) Piano Trio No. 1 (Shostakovich) Piano Trio No. 2 (Mendelssohn) Piano Trio No. 3 (Brahms) Piano Trios, Op. 1 (Beethoven) Polonaises Op. 40 (Chopin) Pomp and Circumstance Marches; Popoli di Tessaglia! Prelude and Fugue in C minor, BWV 546; Prelude and Fugue in C minor, BWV 847; Prelude and Fugue in C ...
Piano Concerto No. 1 in C minor (1914) Piano Concerto No. 2 in B-flat minor (1930) Frederick Delius. Piano Concerto in C minor (1897–1906) Peter Dickinson. Piano Concerto (1984) Issay Dobrowen. Piano Concerto in C sharp minor, Op. 20 (1926) Ernő Dohnányi. Piano Concerto No. 1 in E minor, Op. 5 (1897–8) Variations on a Nursery Tune, Op. 25 ...
The second piece, in F major, followed on 22–25 November, also contains a slower portion coupled with a quick section. No. 3, in C minor, took more than a month to compose, dated from 3 December 1886 to 12 January 1887. With a chordal texture spread over the entire keyboard, it is reminiscent of the music of Robert Schumann. [5]
Piano Concerto No. 1 in C minor, op. 33 (1914–18) Piano Concerto No. 2 in C minor, op. 50 (1920–27) Piano Concerto No. 3 in E minor, op. 60 (1940–43) Henryk Melcer. Concerto for Piano and Orchestra No. 1 in E minor (1895) Concerto for Piano and Orchestra No. 2 in C minor (1898) Felix Mendelssohn. Piano Concerto in A minor (1822)
Mendelssohn's concerto is similar in structure to Weber's Piano Concerto No. 2 in E-flat major, Op. 32. From Mendelssohn's own works, the use of just a string section as orchestral accompaniment is reminiscent of his String Symphonies, twelve of which he had written by the end of the year under the influence of C.P.E. Bach's Sinfonias.
The finale is a sonata-allegro in C minor in cut time with a secondary subject in E ♭ major. The tempo is Allegro comodo and the exposition is repeated. The piano accompaniment for the first theme, stated immediately in measure 1, is derived from the opening piano line of Felix Mendelssohn's Piano Trio in C minor, Op. 66, movement 1 ...
Шопена, Variatsii na temu F. Shopena), Op. 22, is a group of 22 variations on Frédéric Chopin's Prelude in C minor (Op. 28, No. 20), composed by Sergei Rachmaninoff in 1902–03. In the first edition, it is noted that 3 of the variations and the final Presto section can be omitted if the performer wishes.
The opening bars of No. 1 in C ♯ minor. The Nocturne in C-sharp minor, referred to as Nocturne No. 7 in the context of the complete set of Chopin's Nocturnes, is initially marked larghetto and is in 4 4 meter, written as common time. It transitions to più mosso (more movement) in measure 29, along with a time signature change to 3 4 meter.