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Han (Korean: 한), or haan, is a concept of an emotion, variously described as some form of grief or resentment, among others, that is said to be an essential element of Korean identity by some, and a modern post-colonial identity by others. The historicity of han in premodern Korea is disputed.
Emotion classification, the means by which one may distinguish or contrast one emotion from another, is a contested issue in emotion research and in affective science. Researchers have approached the classification of emotions from one of two fundamental viewpoints: [citation needed] that emotions are discrete and fundamentally different constructs
Nunchi, sometimes noonchi (눈치), is a Korean concept signifying the subtle art and ability to listen and gauge others' moods. It first appears in the 17th century as nunch'ŭi (眼勢 in hanja), meaning "eye force/power". [1] In Western culture, nunchi could be described as the concept of emotional intelligence.
Emotions play a critical role in interpersonal relationships and how people relate to each other. Emotional exchanges can have serious social consequences that can result in either maintaining and enhancing positive relationships or becoming a source of antagonism and discord (Fredrickson, 1998; [34] Gottman & Levenson, 1992). [35]
Feeling: not all feelings include emotion, such as the feeling of knowing. In the context of emotion, feelings are best understood as a subjective representation of emotions, private to the individual experiencing them. Emotions are often described as the raw, instinctive responses, while feelings involve our interpretation and awareness of ...
In Joseon society, won (Korean: 원; Hanja: 冤; MR: wŏn) described intense negative emotions, often distress, that came from feelings of injustice. Won played an integral role in justice, lawmaking, and daily life in Joseon Korea.
The organismic emotion is the outburst of emotions and feelings. In organismic emotion, emotions/feelings are instantly expressed. Social and other factors do not influence how the emotion is perceived, so these factors have no control on how or if the emotion is suppressed or expressed. In interactive emotion, emotions and feelings are controlled.
Thus, emotions can be seen as social objects of human knowledge, efforts, and activities that are formed by social processes and generated by actors and social groups who have placed social significance on feelings and emotions. As social objects, emotions and feelings exist within specific social relationships and within a system of language.