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The World's Greatest Sinner is a 1962 American drama film written, directed, and produced by, and starring Timothy Carey. [2] [3] Narrated by voice actor Paul Frees, the film focuses on a frustrated atheist [4] named Clarence Hilliard (later God Hilliard) who rises from insurance salesman to powerful figure, but faces consequences from the real God of the Bible; he alienates his family and ...
Four small circles, detailing the four last things — Death, Judgment, Heaven, and Hell — surround a larger circle in which the seven deadly sins are depicted: wrath at the bottom, then (proceeding clockwise) envy, greed, gluttony, sloth, extravagance (later replaced with lust), and pride, using scenes from life rather than allegorical ...
Seven Deadly Sins Anthology is an American television drama film series based on the books by Victoria Christopher Murray and produced by T.D. Jakes, Derrick Williams and Shaun Robinson for Lifetime and LMN. [1] Each film in the series follows a story inspired by one of the seven deadly sins in the Bible.
conviction, in which "the sinner consciously recognizes his sin." [2] abandonment of sin; confession to church authorities and/or other parties wronged by the sin; restitution; keeping God's commandments; forgiving others "Trying is not sufficient. Nor is repentance complete when one merely tries to abandon sin," Kimball writes. [2]
The First Deadly Sin is a 1980 American crime thriller film produced by and starring Frank Sinatra. The film features Faye Dunaway, David Dukes, Brenda Vaccaro, James Whitmore, and Martin Gabel in his final role. The film also features Bruce Willis in his feature film debut as an uncredited extra.
Detail of Pride from The Seven Deadly Sins and the Four Last Things by Hieronymus Bosch, c. 1500. Pride, also known as hubris (from Ancient Greek ὕβρις) or futility, is considered the original and worst of the seven deadly sins on almost every list, the most demonic. [38] It is also thought to be the source of the other capital sins.
Jerome: " Whether or no his sins were forgiven He alone could know who forgave; but whether he could rise and walk, not only himself but they that looked on could judge of; but the power that heals, whether soul or body, is the same.
One of the last of its kind, Souls of Sin has been described as a landmark film of the genre. [9] [10] Generally regarded as the last all-black film with a black producer, [11] it was producer Alexander's final feature before his move to London, where he began making documentaries (he produced one further film with The Klansman in the 1970s). [4]