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Inland Empire is a 2006 experimental psychological thriller film [7] written, directed, and produced by David Lynch.Released with the tagline "A Woman in Trouble", the film follows the fragmented and nightmarish events surrounding a Hollywood actress who begins to take on the personality of a character she plays in a supposedly cursed film production.
Lily Meyer of NPR celebrated the novel, writing, "Inland is a classic story, told in a classic way — and yet it feels wholly and unmistakably new." [9] The reviewer concludes, "Obreht offers a new representation of the West, both in the characters she chooses and the emotional rigor and range with which she writes. The result is at once a new ...
Justin Paul Theroux (/ θ ə ˈ r oʊ /; [2] born August 10, 1971) [3] is an American actor and filmmaker. He gained recognition for his work with director David Lynch in the mystery film Mulholland Drive (2001) and the thriller film Inland Empire (2006).
Lost Highway is a 1997 neo-noir [2] [3] film directed by David Lynch, who co-wrote the screenplay with Barry Gifford. It stars Bill Pullman, Patricia Arquette, and Balthazar Getty. The film also features Robert Blake, Jack Nance, and Richard Pryor in their final film performances.
The Inlandia Institute began as a result of the anthology Inlandia: A Literary Journey Through California's Inland Empire published by Heyday Books in 2006. [2] The positive response to the book - which provided the Inland Empire its first cohesive literary identity by bringing together in one literary endeavor a selection of the diverse communities that comprise the region - made it clear ...
Actor Kali Reis talks about the finale of the HBO series "True Detective: Night Country" and speculates on what happened to Navarro at the end of Episode Fou.
Rabbits is a 2002 series of eight short horror web films written and directed by David Lynch, although Lynch himself referred to it as a sitcom.It depicts three humanoid rabbits played by Scott Coffey, Laura Elena Harring and Naomi Watts in a room.
However, others take the film's approach to be a direct representation on the character's thought patterns in a time of crisis: "Such a film should indeed endow the cinema with a wholly new dimension of subjective experience, permitting the audience to see a human being both as others see him and as he sees himself." [10]