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The clarinet family is a woodwind instrument family of various sizes and types of clarinets, including the common soprano clarinet in B♭ and A, bass clarinet, and sopranino E♭ clarinet. Clarinets that aren't the standard B♭ or A clarinets are sometimes known as harmony clarinets.
D clarinet: D 4: B soprano clarinet: B 3: B ♭ clarinet: B ♭ 3: A soprano clarinet: A 3: Basset clarinet: A 3: A ♭ soprano clarinet: A ♭ 3: Clarinet d’amour: G 3: G Basset clarinet G 3: Basset horn F 3: Alto clarinet: E ♭ 3: C bass clarinet C 3: Bass clarinet B ♭ 2: Contra-alto clarinet: E ♭ 2: Contrabass clarinet: B ♭ 1 ...
Oehler-system clarinet and Full-Oehler clarinet with bell mechanism to correct low E and F The Oehler system (also spelled Öhler ) is a system for clarinet keys developed by Oskar Oehler . Based on the Müller system clarinet, the system adds tone holes to correct intonation and acoustic deficiencies, notably of the alternately-fingered notes ...
The clarinet is a single-reed musical instrument in the woodwind family, with a nearly cylindrical bore and a flared bell.. Clarinets comprise a family of instruments of differing sizes and pitches.
Bennett Scale has mostly been applied to analysis on people's cross-cultural sensitivity, but some scholars have expanded its application to organizational communications. Informed by Bennett Scale and Botan 's Five steps in Issue Management model, Radu Dumitrascu developed a new corporate adaption model and follow-up intercultural ...
B-flat major is a major scale based on B ... Many transposing instruments are pitched in B-flat major, including the clarinet, trumpet, tenor saxophone, ...
The contra-alto clarinet is higher-pitched than the contrabass and is pitched in the key of E ♭ rather than B ♭.The unhyphenated form "contra alto clarinet" is also sometimes used, as is "contralto clarinet", but the latter is confusing since the instrument's range is much lower than the contralto vocal range; the more correct term "contra-alto" is meant to convey, by analogy with ...
The invention of the alto clarinet has been attributed to Iwan Müller and to Heinrich Grenser, [2] and to both working together. [3] Müller was performing on an alto clarinet in F by 1809, one with sixteen keys at a time when soprano clarinets generally had no more than 10–12 keys; Müller's revolutionary thirteen-key soprano clarinet was developed soon after. [3]