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African wax prints, Dutch wax prints [1] [2] or Ankara, [3] are a type of common material for clothing in West Africa. They were introduced to West Africans by Dutch merchants during the 19th century, who took inspiration from native Indonesian batik designs. [4] They began to adapt their designs and colours to suit the tastes of the African ...
Pair of Italian figures in painted wood, 18th century "Moor with Emerald Cluster" by Balthasar Permoser in the collection of the Grünes Gewölbe. Blackamoor is a type of figure and visual trope in European decorative art, typically found in works from the Early Modern period, depicting a man of sub-Saharan African descent, usually in clothing that suggests high status.
Candle moulding machine in Indonesia circa 1920. Candle making was developed independently in a number of countries around the world. [1]Candles were primarily made from tallow and beeswax in Europe from the Roman period until the modern era, when spermaceti (from sperm whales) was used in the 18th and 19th centuries, [2] and purified animal fats and paraffin wax since the 19th century. [1]
Yoruba women's clothing is also an impactful part of the Nigerian culture and the African culture. The clothing showcases the diversity, beauty, and richness of Yoruba people and by extension the African continent and its people. The clothing also inspires and influences other forms of art and expression, such as music, dance, literature, and ...
Additional forms of indigo resist-dyeing exist in other parts of West Africa; for example, the Bamana of Mali use mud resist, while Senegalese dyers use rice paste rather than cassava root, and the Ndop of Cameroon use both stitch resist and wax resist.
Kuba Raffia cloth, made by the Kuba of present-day Democratic Republic of Congo Contemporary West African textile designs. African textiles are textiles from various locations across the African continent. Across Africa, there are many distinctive styles, techniques, dyeing methods, and decorative and functional purposes.
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