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A rare version with both saints: Ambrogio Bergognone, The Mystical Marriage of Saint Catherine of Alexandria and Saint Catherine of Siena. The mystical marriage of Saint Catherine covers two different subjects often shown in Catholic art arising from visions received by either Catherine of Alexandria or Catherine of Siena (1347–1380), in which these virgin saints went through a mystical ...
The Louvre picture dates from the early 1520s, and it shows clear signs of Leonardo's influence (esp. lips, hands, visage), to which Correggio was particularly susceptible in his endeavour to convey a soft and graceful effect.
In this depiction of the mystical marriage of Saint Catherine of Alexandria, the saint kneeling accepts from the child Jesus a rose, the latter symbol of love and martyrdom; in her left hand is a marital ring. Hanging from a sash is a purse with the name of Christ; the sash has a medallion with an angel holding a balance.
Mystic Marriage of Saint Catherine or Mystic Marriage of Saint Catherine with Saints is a c.1510–1511 oil on canvas painting by Correggio, now in the National Gallery of Art in Washington. [1] Its central group is a Metterza , with Catherine of Alexandria kneeling before them and saints Francis of Assisi and Dominic to either side.
Mystic Marriage of Saint Catherine or Mystic Betrothal of Saint Catherine is a 1567-1570 oil on panel painting by Giovanni Battista Moroni, produced for the side-altar of Catherine of Alexandria in the church of San Bartolomeo, parish church of Almenno San Bartolomeo, where it still hangs.
The Mystic Marriage of Saint Catherine is a c.1575 oil-on-canvas painting by Paolo Veronese, produced as the high altarpiece for Santa Caterina church in Venice. It remained there until the First World War, during which it was moved to its present home in the city's Gallerie dell'Accademia [ 1 ]
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