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Harmonia Sacra is a Mennonite shape note hymn and tune book, originally published as A Compilation of Genuine Church Music in 1832 (Singers Glen, Virginia) by Joseph Funk (1778–1862). The original publication was a "four-shape" shape note book using the shapes and syllables "faw, sol, law, and mi".
IA Query "publisher:((American Book)) date:[1000 TO 1925]" favoritesongshym00mcca Category:American Book Company (COM:IA books#query) (1899 #1821) File usage No pages on the English Wikipedia use this file (pages on other projects are not listed).
The Hymn Book of the African Methodist Episcopal Church: being a collection of hymns, sacred songs and chants (5th ed.) (1877) [350] [351] New hymn and tune book (1889) [ 352 ] African Methodist Episcopal hymn and tune book: adapted to the doctrine and usages of the church.
The New Century Hymnal is a comprehensive hymnal and worship book published in 1995 for the United Church of Christ.The hymnal contains a wide-variety of traditional Christian hymns and worship songs, many contemporary hymns and songs, and a substantial selection of "world music" selections (hymns and worship songs from non-European-American) origin, a full lectionary-based Psalter, service ...
J. and D. Brenneman, Hymns; The 1847 fourth edition of Funk's A Compilation of Genuine Church Music was the first publication by Joseph Funk and Sons at Singers Glen. The name was changed to Harmonia Sacra in 1851. The book is still is in use by Mennonites today.
The book assumes no prior knowledge of music and teaches the notes, scales and techniques involved in playing the chromatic harmonica, using popular folk tunes as demonstration pieces. [7] Despite his own career focus on classical music, he enjoyed a wide range of folk music and ethnic music from around the world.
The Foundling Hospital Anthem (HWV 268), also known by its longer title "Blessed are they that considereth the poor" , [a] is a choral anthem composed by George Frideric Handel in 1749. It was written for the Foundling Hospital in London and was first performed in the chapel there. Handel wrote two versions, one for choir only and one for choir ...
In setting the four hymns to music, Vaughan Williams chose poems by Jeremy Taylor, Isaac Watts, Richard Crashaw, and Robert Bridges (a translation from the Greek). The cycle is sometimes called Four Hymns for Tenor and Strings and performed in an orchestrated version with a string orchestra replacing the piano part.