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The Salon (French: Salon), or rarely Paris Salon (French: Salon de Paris [salɔ̃ də paʁi]), beginning in 1667 [1] was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world.
The word salon also refers to art exhibitions. The Paris Salon was originally an officially sanctioned exhibit of recent works of painting and sculpture by members of the Académie royale de peinture et de sculpture, starting in 1673 and soon moving from the Salon Carré of the Palace of the Louvre.
The salon system thus forced radical and modern artists to seek alternative or unofficial exhibition sites. This is especially true for Impressionists and Fauvism. See also: Salon (gathering) - the expression "salon" is also used to refer to literary gatherings; Academic art; Paris Salon - Main page for the official Salon de Paris
A whole world of social arrangements and attitude supported the existence of french salons: an idle aristocracy, an ambitious middle class, an active intellectual life, the social density of a major urban center, sociable traditions, and a certain aristocratic feminism. This world did not disappear in 1789. [3]
The first Salons of the new group were held in the newly opened Museum of Decorative Arts in the Pavillon de Marsan of the Louvre. The Salon d'Automne, a new Salon founded in 1903, honored painters, sculptors, graphics artists and architects, but again decorative arts were largely ignored. Frantz Jourdain announced the idea of holding a ...
The Paris Salon, sponsored by the French government and the Academy of Fine Arts, took place annually, and was an exhibition of the best academic art.A medal from the Salon was assurance of a successful artistic career; winners were given official commissions by the French government and were sought after for portraits and private commissions.
In addition to his role as an influential art critic prior to the creation of the Salon d'Automne, Jourdain was a member of the Decorative Arts jury at the Chicago World's Fair (1893), the Brussels International (1897) and the Paris Exposition Universelle (1900). Jourdain clearly outlined the dangers of following the academic path in his review ...
The Salon de la Rose + Croix was vital in promoting works of the Symbolist movement, although many important non-Symbolist works were also presented. Among the most influential works included at the Salon were the "Gothic fantasies" of painter Arnold Böcklin, the music of Erik Satie, painters Fernand Khnopff, Ferdinand Hodler, Jan Toorop, Gaetano Previati, Jean Delville, Carlos Schwabe, and ...