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In poetry, internal rhyme, or middle rhyme, is rhyme that occurs within a single line of verse, or between internal phrases across multiple lines. [1] [2] By contrast, rhyme between line endings is known as end rhyme. Internal rhyme schemes can be denoted with spaces or commas between lines. For example, "ac,ac,ac" denotes a three-line poem ...
Free verse is an open form of poetry which does not use a prescribed or regular meter or rhyme [1] and tends to follow the rhythm of natural or irregular speech. Free verse encompasses a large range of poetic form, and the distinction between free verse and other forms (such as prose) is often ambiguous.
The Ego-Futurists were another poetry school within Russian Futurism during the 1910s, based on a personality cult. [53] [56] Most prominent figures among them are Igor Severyanin and Vasilisk Gnedov. The Acmeists were a Russian modernist poetic school, which emerged ca. 1911 and to symbols preferred direct expression through exact images.
In Canada, the terms "middle school" and "junior high school" are both used, depending on which grades the school caters to. [5] Junior high schools tend to include only grades 7, 8, and sometimes 9 (some older schools with the name 'carved in concrete' still use "Junior High" as part of their name, although grade nine is now missing), whereas middle schools are usually grades 6–8 or only ...
The Black Mountain poets were largely free of literary convention, a feature which defined contemporary American poets. [6] Their work became characterized by open form. [3] Olson's pedagogical approach to poetry emphasized the importance of personal experience and direct observation, something which greatly influenced the Black Mountain poets. [7]
The Language school includes a high proportion of women, which mirrors another general trend—the rediscovery and promotion of poetry written both by earlier and contemporary women poets. A number of the more prominent African American poets to emerge are women, and other prominent women writers include Adrienne Rich (1929–2012), Jean ...
The dominant form of German lyric poetry in the period was the minnesang, "a love lyric based essentially on a fictitious relationship between a knight and his high-born lady". [12] Initially imitating the lyrics of the French troubadours and trouvères, minnesang soon established a distinctive tradition. [12]
New Formalism is a late 20th- and early 21st-century movement in American poetry that has promoted a return to metrical, rhymed verse and narrative poetry on the grounds that all three are necessary if American poetry is to compete with novels and regain its former popularity among the American people.
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