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Medium. oil on canvas. Dimensions. 249 cm × 170 cm (98 in × 67 in) Location. Museo del Prado, Madrid. Christ Crucified is a 1632 painting by Diego Velázquez depicting the Crucifixion of Jesus. The work, painted in oil on canvas, measures 249 × 170 cm and is owned by the Museo del Prado.
63 cm × 103.5 cm (25 in × 40.7 in) Location. National Gallery, London. Christ in the House of Martha and Mary is an oil-on-canvas painting by the Spanish artist Diego Velázquez, dating to his Seville period, now in the National Gallery, London. It was probably painted in 1618 (it is dated, but the "8" is "fragmentary" and uncertain), [1 ...
The response to Velazquez's artwork was grand at the very least, with the critical reaction being that The Surrender of Breda was the most impressive Spanish works of art. [14] Also, the artwork solidified Velazquez's effort as the most superb depiction of Spanish Baroque, provided that Baroque art was closely connected to humanity and how ...
Diego Velázquez. Diego Rodríguez de Silva y Velázquez, [a][b] (baptized 6 June 1599 – 6 August 1660) was a Spanish painter, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age. He was an individualistic artist of the Baroque period (c. 1600–1750). He began to paint in a precise tenebrist ...
The Coronation of the Virgin is a 1635–1636 painting on oil on canvas by Diego Velázquez of the Holy Trinity crowning the Blessed Virgin Mary, a theme in Marian art. It is now at the Museo del Prado. It was probably commissioned for the oratory of the court of Elisabeth of France, queen consort to Philip IV of Spain, in the Real Alcázar of ...
The Triumph of Bacchus (Greek: Ο Θρίαμβος του Βάκχου) is a painting by Diego Velázquez, now in the Museo del Prado, in Madrid. It is popularly known as Los borrachos or The Drinkers (also The Drunks). Velázquez painted The Triumph of Bacchus after arriving in Madrid from Seville and just before his voyage to Italy.
C. Christ Crucified (Velázquez) Christ in the House of Martha and Mary (Velázquez) Coronation of the Virgin (Velázquez)
The subject of the painting is the waterseller, a common trade for the lower classes in Velázquez's Seville.The jars and victuals recall bodegón paintings. The seller has two customers: a young boy, possibly painted from the same model as used for the boys in The Lunch and Old Woman Cooking Eggs, and a young man in the background shadows, (time has caused him to fade somewhat; he is clearer ...