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Medium. oil on canvas. Dimensions. 249 cm × 170 cm (98 in × 67 in) Location. Museo del Prado, Madrid. Christ Crucified is a 1632 painting by Diego Velázquez depicting the Crucifixion of Jesus. The work, painted in oil on canvas, measures 249 × 170 cm and is owned by the Museo del Prado.
63 cm × 103.5 cm (25 in × 40.7 in) Location. National Gallery, London. Christ in the House of Martha and Mary is an oil-on-canvas painting by the Spanish artist Diego Velázquez, dating to his Seville period, now in the National Gallery, London. It was probably painted in 1618 (it is dated, but the "8" is "fragmentary" and uncertain), [1 ...
The Coronation of the Virgin is a 1635–1636 painting on oil on canvas by Diego Velázquez of the Holy Trinity crowning the Blessed Virgin Mary, a theme in Marian art. It is now at the Museo del Prado. It was probably commissioned for the oratory of the court of Elisabeth of France, queen consort to Philip IV of Spain, in the Real Alcázar of ...
Museo del Prado, Madrid. The Triumph of Bacchus (Greek: Ο Θρίαμβος του Βάκχου) is a painting by Diego Velázquez, now in the Museo del Prado, in Madrid. It is popularly known as Los borrachos or The Drinkers (also The Drunks). Velázquez painted The Triumph of Bacchus after arriving in Madrid from Seville and just before his ...
The response to Velazquez's artwork was grand at the very least, with the critical reaction being that The Surrender of Breda was the most impressive Spanish works of art. [14] Also, the artwork solidified Velazquez's effort as the most superb depiction of Spanish Baroque, provided that Baroque art was closely connected to humanity and how ...
Oil on copper. Attributed to Velazquez by Roberto Longhi, noting similarities with The Forge and Joseph's Tunic, a thesis defended by Marini and Salort, who noted the exceptional technical quality. [46] Santa Rufina: 1632–1634 77 × 64 Centro de Investigaciones Diego Velázquez, Fundación Focus-Abengoa, Seville: Portrait of a Man: 1630 68.6 ...
The crucifixion of Jesus was the death of Jesus by being nailed to a wooden cross. It occurred in 1st-century Judaea, most likely in AD 30 or AD 33. It is described in the four canonical gospels, referred to in the New Testament epistles, and later attested to by other ancient sources.
Museo del Prado, Madrid, Spain. Apollo in the Forge of Vulcan (Spanish: Apolo en la Fragua de Vulcano), sometimes referred to as Vulcan's Forge, is an oil painting by Diego de Velázquez completed after his first visit to Italy in 1629. Critics agree that the work should be dated to 1630, the same year as his companion painting Joseph's Tunic.