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In its most developed form, the vihuela was a guitar-shaped instrument with six double-strings (paired courses) made of gut. Vihuelas were tuned identically to their contemporary Renaissance lute; 4ths and one major 3rd (44344, almost like a modern guitar tuning, with the exception of the third string, which was tuned a semitone lower).
The Renaissance guitar shared most similarities with the Spanish vihuela, a six-coursed instrument with similar tuning and construction. [3] Juan Bermudo in 1555 published Declaración de Instrumentos Musicales , a treatise containing a section on plucked string instruments.
Alonso Mudarra (c. 1510 – April 1, 1580) was a Spanish composer of the Renaissance, and also played the vihuela, a guitar-shaped string instrument.He was an innovative composer of instrumental music as well as songs, and was the composer of the earliest surviving music for the guitar.
During the Renaissance, the guitar was likely to have been used as it frequently is today in popular music, that is to provide strummed accompaniment for a singer or a small group. [ citation needed ] There also were several significant music collections published during the 16th century of contrapuntal compositions approaching the complexity ...
Classical guitars derive from instruments such as the lute, the vihuela, the gittern (the name being a derivative of the Greek "kithara"), which evolved into the Renaissance guitar and into the 17th and 18th-century baroque guitar.
Luis de Milán (also known as Lluís del Milà or Luys Milán) (c. 1500 – c. 1561) was a Spanish Renaissance composer, vihuelist, and writer on music.He was the first composer in history to publish music for the vihuela de mano, an instrument employed primarily in the Iberian peninsula and some of the Italian states during the 15th and 16th centuries, and he was also one of the first ...
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Vihuela de mano shared extreme similarities with the Renaissance guitar as it used hand movement at the sound hole or sound chamber of the instrument to create music. [158] By 1790 only six-course vihuela guitars (six unison-tuned pairs of strings) were being created and had become the main type and model of guitar used in Spain.
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