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"In the Beginning" is a popular song, by Dorcas Cochran, Kay Twomey, Ben Weisman, and Fred Wise.The lyrics commence: "In the Beginning the Lord made the earth...". It was recorded by Frankie Laine in December, 1954 and released by Columbia as catalog number 40378, the flip side being "Old Shoes."
The album was remastered and re-released with a new cover and name in 1995 titled In the Beginning (then remastered again in 2005). Track listing. Side one; No.
The song was written in the key of A minor. [2] It is driven by an acoustic guitar line with layers of electric guitar (both rhythm and lead), electric bass guitar, and sung by Lake, with some backing on drums (played by Carl Palmer with congas, tympani mallets and without cymbals), and with a distinctive closing synthesizer solo from Keith Emerson, accompanied by overdubbed synthesizer sounds.
The theme song, "Love Is All Around", was written and performed by Sonny Curtis, but is often mistakenly attributed to Paul Williams; Pat Williams wrote the show's music. . The first season's lyrics are words of encouragement directed to the character, referring to the end of a previous relationship and making a fresh start, beginning with "How will you make it on your o
In the Beginning is the first compilation album from the rock band Journey, containing songs from the group's first three albums (Journey, Look into the Future, and Next). The songs on this album are all taken from the period where Gregg Rolie sang lead vocals, before Steve Perry joined the band as their new lead singer in 1977.
The resulting song is now available on music streaming services (see the YouTube lyric video, below) as well as over the end credits of the film, which opens in select theaters today and streams ...
On Spotify, "End of Beginning" has received more than 200 million plays and on YouTube, videos posted from the DJO account have more than 12 million combined views.
In the Beginning is a 1947 choral work by Aaron Copland setting Genesis 1:1 to 2:7. [1] The 15–20 minute long work is for mixed four-part chorus a capella and soprano or mezzo-soprano solo. The work is evocative of the Hebrew davening and shows the influence of polytonality with references to jazz and blues.