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Authorship of many woodcuts is uncertain, with different sources disagreeing if the woodcut was made by Dürer alone, with help of one of his students, or by one of his students with or without Dürer supervision. For some prints we also have only copies from late printings, which could be by Dürer or a copy of a lost print by him.
The woodcuts series are stylistically more Gothic than the rest of his work, but revolutionised the potential of that medium, while his extraordinary handling of the burin expanded especially the tonal range of his engravings; well-known engravings include the three Meisterstiche (master prints) Knight, Death and the Devil (1513), Saint Jerome ...
The fourth woodcut of the Apocalypse series, The Four Horsemen of the Apocalypse (1498) The fourth woodcut of the Apocalypse cycle, The Four Horsemen of the Apocalypse, depicts the first four of seven seals that must be opened in order for the Apocalypse to begin. [19] Though hostile in nature, these riders are in no way connected to Satan.
Self-Portrait (Portrait of the Artist Holding a Thistle) 1493 d+c [9] Oil on parchment transferred to canvas [10] 56.5 × 44.5: Paris, Musée du Louvre : 10 Jesus Child as Redeemer: 1493 dm [11] Bodycolor and gold on parchment: 11.8 × 9.3: Vienna, Albertina 11 Lion: 1494 dm [12] Bodycolor, watercolor on parchment: 12.6 × 17.2: Hamburg ...
Knight, Death and the Devil, 1513, engraving, 24.5 x 19.1 cm. Knight, Death and the Devil (German: Ritter, Tod und Teufel) is a large 1513 engraving by the German artist Albrecht Dürer, one of the three Meisterstiche (master prints) [1] completed during a period when he almost ceased to work in paint or woodcuts to focus on engravings.
Title page. Small Passion is a series of 36 woodcuts and a frontispiece by Albrecht Dürer. [1] One of the best surviving sets is now in the British Museum in London. [2] It was produced in 1511 as a new set of works on Biblical themes and the life and Passion of Christ (its title distinguishes it from his earlier Great Passion) in 1511, the same year as he republished earlier works such as ...
Joachim and Anne Meeting at the Golden Gate is a 1504 woodcut by the German artist Albrecht Dürer that depicts the standard scene of Joachim and Anne Meeting at the Golden Gate. In the woodcut, the parents of the Virgin Mary, Joachim, and Anne meet at the Golden Gate of Jerusalem, upon learning that she will bear a child.
Albrecht Dürer was an apprentice under Wolgemut and learned the art of engraving from one of the most well known engravers of the time. Technically, the development of better printing presses in Nuremberg allowed for Dürer to include much more detail in his work, from depicting St. Michael's hair with little curls to capturing the sails of ...
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