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In Bharatanatyam, the classical dance of India performed by Lord Nataraja, approximately 48 root mudras (hand or finger gestures) are used to clearly communicate specific ideas, events, actions, or creatures in which 28 require only one hand, and are classified as `Asamyuta Hasta', along with 23 other primary mudras which require both hands and are classified as 'Samyuta Hasta'; these 51 are ...
The Natya Shastra describes 24 mudras, while the Abhinaya Darpana of Nandikeshvara gives 28. [17] In all their forms of Indian classical dance, the mudras are similar, though the names and uses vary. There are 28 (or 32) root mudras in Bharatanatyam, 24 in Kathakali and 20 in Odissi. These root mudras are combined in different ways, like one ...
The arms of Shiva express mudras (symbolic hand gestures), [38] that are used in Bharatanatyam. [ 10 ] [ 39 ] The early 12th century ancient Sanskrit text Manasollasa discusses about the dancing movements like Natya , Tandava , Lasya , Laghu , Visama and Vikata, This discussion is similar to the content found in Natya Shastra .
Indian classical dance, or Shastriya Nritya, is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, [1] [2] [3] the theory and practice of which can be traced to the Sanskrit text Natya Shastra.
Rajashree Warrier is one of India's foremost Bharatanatyam Dancers. She is also a Musician, writer and Educator. Holds a Phd. in Music from the Department of Music, Kerala University. She is a pioneer in introducing Malayalam poems, folk music and compositions of Social reformer Sree narayana guru in her dance choreographies. [1]
It is a part of Indian classical dance postures such as Bharatanatyam, [1] yoga practice, [2] and forms part of the greeting Namaste. Among the performance arts, Anjali Mudra is a form of non-verbal, visual communication to the audience. It is one of 24 samyukta mudras of the Indian classical arts. [1]
It describes the elaborate codified language of mudras (stylized gestures and symbolic signs by the hands and body posture used in Bharatanatyam and Kathakali) as angikabhinaya, meaning body-expressions.
The ancient Tamil epic says that this type of dance derived from Bharatham and a mixture of multiple forms of Tamil dance forms like Bharatanatyam postures and mudras. The offering of this dance is to the goddess to bless rain. The dance accompanies songs like folk Carnatic (Amrithavarshini). [1] The performers balance a pot on their head.