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The 32-minute production, named Wittgenstein Tractatus, features citations from the Tractatus and other works by Wittgenstein. In 1989 the Finnish artist M. A. Numminen released a black vinyl album, The Tractatus Suite , consisting of extracts from the Tractatus set to music, on the Forward! label (GN-95).
"Some Remarks on Logical Form" (1929 [1]) was the only academic paper ever published by Ludwig Wittgenstein, and contained Wittgenstein's thinking on logic and the philosophy of mathematics immediately before the rupture that divided the early Wittgenstein of the Tractatus Logico-Philosophicus from the late Wittgenstein. [2]
Ludwig Josef Johann Wittgenstein (/ ˈ v ɪ t ɡ ən ʃ t aɪ n,-s t aɪ n / VIT-gən-s(h)tyne, [7] Austrian German: [ˈluːdvɪk ˈjoːsɛf ˈjoːhan ˈvɪtɡn̩ʃtaɪn]; 26 April 1889 – 29 April 1951) was an Austrian philosopher who worked primarily in logic, the philosophy of mathematics, the philosophy of mind, and the philosophy of language.
In philosophy, Wittgenstein's ladder is a metaphor set out by Ludwig Wittgenstein about learning. In what may be a deliberate reference to Søren Kierkegaard 's Concluding Unscientific Postscript to Philosophical Fragments , [ 1 ] [ 2 ] the penultimate proposition of the Tractatus Logico-Philosophicus (translated from the original German) reads:
Zettel (German: "slip(s) of paper") is a collection of assorted remarks by Ludwig Wittgenstein, first published in 1967.It contains several discussions of philosophical psychology and of the tendency in philosophy to try for a synoptic view of phenomena. [1]
However, Wittgenstein took the line that 'There is indeed no such thing as phenomenology, but there are phenomenological problems.' [5] He was content to regard Goethe's observations as a kind of logic or geometry. Wittgenstein took some of his examples from the Runge letter included at the end of the "Farbenlehre", e.g. "White is the lightest ...
Wittgenstein writes regarding several possible "interpretations" which may arise after such a lesson. The student may interpret your pointing at a pencil and saying "pencil" to mean the following: (1) This is a pencil; (2) This is round; (3) This is wood; (4) This is one; (5) This is hard, etc., etc. [ 5 ]
A recurrent theme in Wittgenstein's work is that for some term or utterance to have a sense, it must be conceivable that it be doubted. For Wittgenstein, tautologies do not have sense, do not say anything, and so do not admit of doubt. But furthermore, if any other sort of utterance does not admit of doubt, it must be senseless.