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"Some Remarks on Logical Form" (1929 [1]) was the only academic paper ever published by Ludwig Wittgenstein, and contained Wittgenstein's thinking on logic and the philosophy of mathematics immediately before the rupture that divided the early Wittgenstein of the Tractatus Logico-Philosophicus from the late Wittgenstein. [2]
The 32-minute production, named Wittgenstein Tractatus, features citations from the Tractatus and other works by Wittgenstein. In 1989 the Finnish artist M. A. Numminen released a black vinyl album, The Tractatus Suite , consisting of extracts from the Tractatus set to music, on the Forward! label (GN-95).
In philosophy, Wittgenstein's ladder is a metaphor set out by Ludwig Wittgenstein about learning. In what may be a deliberate reference to Søren Kierkegaard 's Concluding Unscientific Postscript to Philosophical Fragments , [ 1 ] [ 2 ] the penultimate proposition of the Tractatus Logico-Philosophicus (translated from the original German) reads:
Ludwig Josef Johann Wittgenstein (/ ˈ v ɪ t ɡ ən ʃ t aɪ n,-s t aɪ n / VIT-gən-s(h)tyne, [7] Austrian German: [ˈluːdvɪk ˈjoːsɛf ˈjoːhan ˈvɪtɡn̩ʃtaɪn]; 26 April 1889 – 29 April 1951) was an Austrian philosopher who worked primarily in logic, the philosophy of mathematics, the philosophy of mind, and the philosophy of language.
Culture and Value is a selection from the personal notes of Ludwig Wittgenstein made by Georg Henrik von Wright.It was first published in German as Vermischte Bemerkungen in 1977 with the text being emended in following editions.
Form of life (German: Lebensform) is a term used sparingly by Ludwig Wittgenstein in posthumously published works Philosophical Investigations (PI), On Certainty and in parts of his Nachlass. [1] Wittgenstein in his Tractatus Logico-Philosophicus ( TLP ) was concerned with the structure of language, responding to Frege and Russell .
Zettel (German: "slip(s) of paper") is a collection of assorted remarks by Ludwig Wittgenstein, first published in 1967.It contains several discussions of philosophical psychology and of the tendency in philosophy to try for a synoptic view of phenomena. [1]
A recurrent theme in Wittgenstein's work is that for some term or utterance to have a sense, it must be conceivable that it be doubted. For Wittgenstein, tautologies do not have sense, do not say anything, and so do not admit of doubt. But furthermore, if any other sort of utterance does not admit of doubt, it must be senseless.