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Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, [1] from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and is followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period.
It is founded on a digital archive of images of European medieval and early to high-Renaissance polyphonic music ranging from complete manuscripts to fragments. [4] The collection, created by the University of Oxford and Royal Holloway University of London , [ 5 ] includes metadata for all manuscripts from 800 to 1550 A.D., and most of those ...
Medieval music generally refers the music of Western Europe during the Middle Ages, from approximately the 6th to 15th centuries. [1] The first and longest major era of Western classical music, medieval music includes composers of a variety of styles, often centered around a particular nationality or composition school. The lives of most ...
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Date ranges of classical music eras are therefore somewhat arbitrary, and are only intended as approximate guides. Scholars of music history do not agree on the start and end dates, and in many cases disagree whether particular years should be chosen at all. The 20th century has exact dates, but is strictly a calendar based unit of time.
In the early Middle Ages, ecclesiastical music was dominated by monophonic plainchant. [1] The separate development of British Christianity from the direct influence of Rome until the eighth century, with its flourishing monastic culture, led to the development of a distinct form of liturgical Celtic chant . [ 9 ]
Gustave Reese (/ r iː s / REESS; November 29, 1899 – September 7, 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications Music in the Middle Ages (1940) and Music in the Renaissance (1954); [1] these two books remain the standard reference works for these two eras, with complete and precise ...
In Middle Ages (10th-16th centuries) was for indoor instrument made up of 4-12 small bells, hung from a bar and struck with hammers. [19] Beginning 12th century, may have had "large wooden key installed" to make playing easier and to help play bigger bells. [19] Latin, western tradition from church tintinabuli, little bell