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On The Omnivore, based on British press reviews, the book received an "omniscore" of 4.5 out of 5. [2] [3] Culture Critic gave it an aggregated score of 82 percent from British press. [4] Peter Clothier in The Huffington Post: "Wyld's prose is as muscular, sinewy, unsparing as this remarkable character. It has the precision of poetry, but ...
The Blues for Alice changes, Bird changes, Bird Blues, or New York Blues changes, is a chord progression, often named after Charlie Parker ("Bird"), which is a variation of the twelve-bar blues. The progression uses a series of sequential ii–V or secondary ii–V progressions, and has been used in pieces such as Parker's " Blues for Alice ".
The terms quartal and quintal imply a contrast, either compositional or perceptual, with traditional harmonic constructions based on thirds: listeners familiar with music of the common practice period are guided by tonalities constructed with familiar elements: the chords that make up major and minor scales, all in turn built from major and minor thirds.
The song was recorded for all of the major and dime store labels of the time. A version was recorded by Benny Goodman and his Orchestra in 1935 (Victor 25136). 1946 was also a notable year for the song, with a Bing Crosby / Fred Astaire film taking its title along with two recorded versions by Count Basie and Benny Goodman reaching #8 and #9 on ...
Bird vocalization includes both bird calls and bird songs. In non-technical use, bird songs (often simply birdsong ) are the bird sounds that are melodious to the human ear. In ornithology and birding , songs (relatively complex vocalizations) are distinguished by function from calls (relatively simple vocalizations).
Four-voice texture in the Genevan psalter: Old 124th. [1] Play ⓘ. Four-part harmony is music written for four voices, or for some other musical medium—four musical instruments or a single keyboard instrument, for example—for which the various musical parts can give a different note for each chord of the music.
Musicologists such as Matthew Head and Suzannah Clark believe that birdsong has had a large though admittedly unquantifiable influence on the development of music. [2] [3] Birdsong has influenced composers in several ways: they can be inspired by birdsong; [4] they can intentionally imitate bird song in a composition; [4] they can incorporate recordings of birds into their works; [5] or they ...
[3] [2] [4] After the release of their second single and second performance at the Apollo, William Dailey and Morris Smarr left the group [3] and were replaced by Edward "Skip" Boyd (baritone), who had been a member of the Five Sins, and Peggy Jones (tenor), adding a female vocalist to the line up to increase the range.