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On The Omnivore, based on British press reviews, the book received an "omniscore" of 4.5 out of 5. [2] [3] Culture Critic gave it an aggregated score of 82 percent from British press. [4] Peter Clothier in The Huffington Post: "Wyld's prose is as muscular, sinewy, unsparing as this remarkable character. It has the precision of poetry, but ...
The Blues for Alice changes, Bird changes, Bird Blues, or New York Blues changes, is a chord progression, often named after Charlie Parker ("Bird"), which is a variation of the twelve-bar blues. The progression uses a series of sequential ii–V or secondary ii–V progressions, and has been used in pieces such as Parker's " Blues for Alice ".
The song was recorded for all of the major and dime store labels of the time. A version was recorded by Benny Goodman and his Orchestra in 1935 (Victor 25136). 1946 was also a notable year for the song, with a Bing Crosby / Fred Astaire film taking its title along with two recorded versions by Count Basie and Benny Goodman reaching #8 and #9 on ...
Four-voice texture in the Genevan psalter: Old 124th. [1] Play ⓘ. Four-part harmony is music written for four voices, or for some other musical medium—four musical instruments or a single keyboard instrument, for example—for which the various musical parts can give a different note for each chord of the music.
The terms quartal and quintal imply a contrast, either compositional or perceptual, with traditional harmonic constructions based on thirds: listeners familiar with music of the common practice period are guided by tonalities constructed with familiar elements: the chords that make up major and minor scales, all in turn built from major and minor thirds.
Birds sing louder and at a higher pitch in urban areas, where there is ambient low-frequency noise. [58] [59] Traffic noise was found to decrease reproductive success in the great tit (Parus major) due to the overlap in acoustic frequency. [60] During the COVID-19 pandemic, reduced traffic noise led to birds in San Francisco singing 30% more ...
The record was first charted on 21 December 1940, peaking at No. 2. The song has since become a standard, being recorded by Bing Crosby (recorded 20 December 1940), [8] Frank Sinatra in London in June 1962, [9] and Rod Stewart on the 2004 album Stardust: the Great American Songbook 3. [10] It also appears on Vera Lynn's album 16 Most Requested ...
[3] [2] [4] After the release of their second single and second performance at the Apollo, William Dailey and Morris Smarr left the group [3] and were replaced by Edward "Skip" Boyd (baritone), who had been a member of the Five Sins, and Peggy Jones (tenor), adding a female vocalist to the line up to increase the range.