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The original lyrics are probably by Mozart himself; [1] they include the words for "good night" in five different languages (Latin, Italian, French, English, and German). [2] [3] The phrase "gute Nacht, gute Nacht, / scheiß ins Bett daß' kracht", found in the fourth-to-last and third-to-last lines, closely resembles a similar expression found in a postscript to one of Wolfgang's letters by ...
Komm, süßer Tod, first edition 1736 "Komm, süßer Tod, komm selge Ruh" (Come, sweet death, come, blessed rest) is a song for solo voice and basso continuo from the 69 Sacred Songs and Arias that Johann Sebastian Bach contributed to Musicalisches Gesangbuch by Georg Christian Schemelli (BWV 478), edited by Schemelli in 1736. [1]
Wiegenlied" ("Lullaby"; "Cradle Song"), Op. 49, No. 4, is a lied for voice and piano by Johannes Brahms which was first published in 1868. It is one of the composer's most famous pieces. It is one of the composer's most famous pieces.
Her videography comprises three long-form video releases and 26 music videos. After enjoying a considerable success as the lead singer of the disco trio Arabesque , particularly in Japan, Sandra began performing solo in 1984, launching her career with a German-language cover of Alphaville 's " Big in Japan ".
Songs by the German band Modern Talking, listed in chronological order (current through 2009). Some songs may be known by more than one title (like Brother Louie is known also as No te pertenece (Spanish language version) or Brother Tuki).
"Until the Night" is a song written by Billy Joel for his 1978 album, 52nd Street. Although passed over for single release in the US, "Until the Night" was issued as the second single from 52nd Street in the UK - following " My Life " - in March 1979 and reached #50 on the UK Singles Chart .
"Auf Wiedersehen", or "Auf Wiederseh'n, Sweetheart", is a song written by German composer Eberhard Storch around 1950. [1] Storch wrote the song in the hospital for his wife Maria as he was ill for a long time. It was originally sung in German by Rudi Schuricke and released on the 78 rpm record Polydor 48 374 H in 1950.
Otto Demmlar, a producer of the German sub-label of EMI, Electrola Gesellschaft, conceived the Beatles recording songs in German. [6] Odeon Records insisted with Epstein and Beatles producer George Martin that if they wanted to sell more records in West Germany , the band would need to rerecord their biggest songs in German. [ 7 ]