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Left-hand pizzicato or Stopped note A note on a stringed instrument where the string is plucked with the left hand (the hand that usually stops the strings) rather than bowed. On the horn, this accent indicates a "stopped note" (a note played with the stopping hand shoved further into the bell of the horn). In percussion this notation denotes ...
The best known left-hand concerto is the Piano Concerto for the Left Hand in D by Maurice Ravel, which was written for Paul Wittgenstein between 1929 and 1930. Wittgenstein, who lost his right arm in World War I, commissioned a number of such works around that time, as did Otakar Hollmann .
Britten wrote the work for the Viennese-born pianist Paul Wittgenstein, who lost his right arm in World War I. Britten met Wittgenstein in New York in July 1940 and sketched the piece in August at Owl's Head, Maine .
When playing the piano or harp, the upper staff is normally played with the right hand and the lower staff with the left hand. In music intended for organ with pedalboard, a grand staff normally comprises three staves, one for each hand on the manuals and one for the feet on the pedalboard. A simple grand staff.
The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing. The other 3 notes of the chord are voiced as closely as possible below the melody note, which is the definition of a block chord. [1] The left hand doubles the melody note one octave lower.
Accidental symbols are placed to the right of a note's letter when written in text (e.g. F ♯ is F-sharp, B ♠is B-flat, and C ♮ is C natural), but are placed to the left of a note's head when drawn on a staff. Systematic alterations to any of the 7 lettered pitch classes are communicated using a key signature. When drawn on a staff ...
He phrases impulsively raw clusters with his right hand and yet embeds them in clear, harmonically functional tonal chords simultaneously played with the left hand." [ 109 ] John Medeski employs tone clusters as keyboardist for Medeski Martin & Wood , which mixes free jazz elements into its soul jazz / jam band style.
In stride piano, (similar to the earlier ragtime) the left hand rapidly plays alternate positions between notes in the bass register and chords in the tenor register, while the right hand plays melody and improvises, as performed in George Gershwin's "Liza". The right hand may play melodic lines, or harmonic content, chordally or in octaves.
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