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The poem "Maxims I" can be found in the Exeter Book and "Maxims II" is located in a lesser known manuscript, London, British Library, Cotton Tiberius B i. "Maxims I" and "Maxims II" are classified as wisdom poetry, being both influenced by wisdom literature, such as the Havamal of ancient Germanic literature. Although they are separate poems of ...
Gnomic literature, including Maxims I and Maxims II, is a genre of Medieval Literature in England. The gnomic spirit has occasionally been displayed by poets of a homely philosophy, such as Francis Quarles (1592–1644) in England and Gui de Pibrac (1529–1584) in France.
A maxim is a moral rule or principle, which can be considered dependent on one's philosophy. A maxim is often pedagogical and motivates specific actions. The Oxford Dictionary of Philosophy defines it as: Generally any simple and memorable rule or guide for living; for example, 'neither a borrower nor a lender be'.
The maxim was cited only infrequently during the early 18th century; English literature, and especially English poetry, was the most fruitful of references. [84] Alexander Pope explored several traditional interpretations in his Essay on Man (1734), [ 85 ] with the poem's most well-known lines containing an exhortation to know the limits of one ...
The Maxims of Ptahhotep or Instruction of Ptahhotep is an ancient Egyptian literary composition by the Vizier Ptahhotep around 2375–2350 BC, during the rule of King Djedkare Isesi of the Fifth Dynasty. [1] The text was discovered in Thebes in 1847 by Egyptologist M. Prisse d'Avennes. [2]
The first maxim, "know thyself", has been called "by far the most significant of the three maxims, both in ancient and modern times". [14] In its earliest appearances in ancient literature, it was interpreted to mean that one should understand one's limitations and know one's place in the social scale. [15]
Modernism experimented with literary form and expression, as exemplified by Ezra Pound's maxim to "Make it new". [1] This literary movement was driven by a conscious desire to overturn traditional modes of representation and express the new sensibilities of the time. [ 2 ]
The concept is generally distinct from those of an adage, brocard, chiasmus, epigram, maxim (legal or philosophical), principle, proverb, and saying; although some of these concepts could be construed as types of aphorism. Often aphorisms are distinguished from other short sayings by the need for interpretation to make sense of them.