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Initially La Tène people lived in open settlements that were dominated by the chieftains' hill forts. The development of towns—oppida—appears in mid-La Tène culture. La Tène dwellings were carpenter-built rather than of masonry. La Tène peoples also dug ritual shafts, in which votive offerings and even human sacrifices were cast ...
The western La Tène culture corresponds to historical Celtic Gaul. Whether this means that the whole of La Tène culture can be attributed to a unified Celtic people is difficult to assess; archaeologists have repeatedly concluded that language and material culture do not necessarily run parallel.
The Holzgerlingen figure. The Holzgerlingen figure is a two-faced anthropomorphic statue of the early to middle La Tène culture.The statue depicts a human figure from the belt up, each side carved with a mirror image of the other, wearing a horn-like headdress which is probably an example of the Celtic leaf-crown motif.
As regards Celtic influence on local Daco-Getic culture, Vasile Pârvan has stated that the latter is wholly indebted to Celtic traditions and that the "La Tene-ization" of these northern Tracians was a cultural phenomenon primarily due to the Celtic population who settled the area. [2]
Distribution of fortified oppida, La Tène period. An oppidum (pl.: oppida) is a large fortified Iron Age settlement or town. Oppida are primarily associated with the Celtic late La Tène culture, emerging during the 2nd and 1st centuries BC, spread across Europe, stretching from Britain and Iberia in the west to the edge of the Hungarian Plain in the east.
La Tène metalwork in bronze, iron and gold, developing technologically out of the Hallstatt culture, is stylistically characterized by "classical vegetable and foliage motifs such as leafy palmette forms, vines, tendrils and lotus flowers together with spirals, S-scrolls, lyre and trumpet shapes". [19]
The earliest archaeological culture that is conventionally termed Celtic, the Hallstatt culture (from "Hallstatt C" onwards), comes from the early European Iron Age, c. 800 –450 BC. Nonetheless, the art of this and later periods reflects considerable continuity, and some long-term correspondences, with earlier art from the same regions, which ...
Archaeologically, many elements link Celtiberians with Celts in Central Europe, but also show large differences with both the Hallstatt culture and La Tène culture. There is no complete agreement on the exact definition of Celtiberians among classical authors, nor modern scholars.