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Letter symbolism concerns the symbolic meaning and value of letters (graphic signs representing a phoneme or group of phonemes in written language), whether read or written, in alphabetical script or elsewhere. While the meaning may not be immediately apparent, studying the symbols can reveal the significance of each letter.
Angles of white space, as in W w, are corners (w has three corners); the term is not used for angles of strokes. The small corner formed by a serif, whether curved or angular, is called the serif bracket. Inter-letter space can be reduced with kerning. A kern is the part of a letter that intrudes into the "box" of an adjacent glyph.
Color and size of type elements may be much more prevalent than in solely text designs. Most display items exploit type at larger sizes, where the details of letter design are magnified. Color is used for its emotional effect in conveying the tone and nature of subject matter. Display typography encompasses:
In ambigrams, the typographic space of the background is used as negative space to form new letters and new words. For example, inside a capital H, one can easily insert a lowercase i. The oil painting You & Me (US) by John Langdon (1996) belongs to this category. The word "me" fills the space between the letters of "you". [46]
Grapheme–color synesthetes, as a group, share significant preferences for the color of each letter (e.g., A tends to be red; O tends to be white or black; S tends to be yellow, etc.) [20] Nonetheless, there is a great variety in types of synesthesia, and within each type, individuals report differing triggers for their sensations and ...
A monospaced font, also called a fixed-pitch, fixed-width, or non-proportional font, is a font whose letters and characters each occupy the same amount of horizontal space. [1] [a] This contrasts with variable-width fonts, where the letters and spacings have different widths. Monospaced fonts are customary on typewriters and for typesetting ...
By contrast, a bold font weight makes letters of a text thicker than the surrounding text. [2] Bold strongly stands out from regular text, and is often used to highlight keywords important to the text's content. For example, printed dictionaries often use boldface for their keywords, and the names of entries can conventionally be marked in bold ...
In European and West Asian typography and penmanship, the baseline is the line upon which most letters sit and below which descenders extend. [1] In the example to the right, the letter 'p' has a descender; the other letters sit on the (red) baseline. Most, though not all, typefaces are similar in the following ways as regards the baseline: