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Xu Beihong (Chinese: 徐悲鴻; Wade–Giles: Hsü Pei-hung; 19 July 1895 – 26 September 1953), also known as Ju Péon, was a Chinese painter. [1]He was primarily known for his Chinese ink paintings of horses and birds and was one of the first Chinese artists to articulate the need for artistic expressions that reflected a modern China at the beginning of the 20th century.
His rejection of the refined, gentle brushwork of his era in favour of the cruder style of the eighth century is considered to have brought about a revolution that created the modern Chinese landscape painting. He was known for his paintings of horses. His landscapes are also considered to be done in a style that focuses more on a literal ...
Freehand brush work is a genre of Chinese traditional painting which includes poem, calligraphy, painting and seal. In Chinese called Hsieh yi (traditional Chinese: 寫意; simplified Chinese: 写意; pinyin: Xiěyì), which literally means "writing ideas". [1] It was formed in a long period of artistic activities and promoted by the literati.
Traditional painting can also be done on album sheets, walls, lacquerware, folding screens, and other media. The two main techniques in Chinese painting are: Gongbi (工筆), meaning "meticulous", uses highly detailed brushstrokes that delimit details very precisely. It is often highly colored and usually depicts figural or narrative subjects.
Chinese Jade ornament with flower design, Jin dynasty (1115–1234 AD), Shanghai Museum.. The arts of China (simplified Chinese: 中国艺术; traditional Chinese: 中國藝術) have varied throughout its ancient history, divided into periods by the ruling dynasties of China and changing technology, but still containing a high degree of continuity.
The presence of horses in Chinese art was particularly notable during the Tang dynasty, when many masterpieces prominently featured these animals. Noteworthy examples include the famous Flying Horse of Gansu [16] and the Six Steeds of Zhao Mausoleum. The horse emerged as a distinct artistic subject early in Chinese history. [17]
The people in the painting are dressed in Tang style costumes. All these reflect that the artist admired the culture of the Tang dynasty. The people and horses are spread out in the painting, which is a main characteristic of paintings by Ren. At the end of the painting (left side), there are some words about the artist and the year of painting.
"Night-Shining White" (Chinese: 照夜白圖) is a monochrome ink-on-paper painting by the Chinese artist Han Gan. It is an example of Tang dynasty painting, created in the middle of the 8th century (circa 750). The work depicts a cavalry horse owned by the Emperor Xuanzong (reign 712–56) of the Tang dynasty, tethered to a post. It is ...
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