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Of Nigerian and Black American descent (her father being a Yoruba man from Lagos and her mother being Black American [4]), Olayiwola was born in Chicago. [5] When Olayiwola was a child, her father was abruptly deported to Nigeria, forcing her mother to struggle alone to raise and support Olayiwola and her siblings.
As a choreopoem, the piece is a series of 20 separate poems choreographed to music that weaves interconnected stories of love, empowerment, struggle and loss into a complex representation of sisterhood. The cast consists of seven nameless African-American women only identified by the colors they are assigned.
Una Maud Victoria Marson (6 February 1905 – 6 May 1965) [1] was a Jamaican feminist, activist and writer, producing poems, plays and radio programmes.. She travelled to London in 1932 and became the first black woman to be employed by the BBC, during World War II. [2]
Sonia Sanchez (born Wilsonia Benita Driver; September 9, 1934) [1] is an American poet, writer, and professor. She was a leading figure in the Black Arts Movement and has written over a dozen books of poetry, as well as short stories, critical essays, plays, and children's books.
Parker gave her first public poetry reading in 1963 in Oakland. In 1968, she began to read her poetry to women's groups at women's bookstores, coffeehouses and feminist events. [18] Judy Grahn, a fellow poet and a personal friend, identifies Pat Parker's poetry as a part of the "continuing Black tradition of radical poetry". [19]
African American literature is the body of literature produced in the United States by writers of African descent. Olaudah Equiano (c. 1745–1797) was an African man who wrote The Interesting Narrative of the Life of Olaudah Equiano, an autobiography published in 1789 that became one of the first influential works about the transatlantic slave trade and the experiences of enslaved Africans.
A literary critic noted that Evans used "black idioms to communicate the authentic voice of the black community is a unique characteristic of her poetry." [21] I Am a Black Woman (1970), her best-known poetry collection, won the Black Academy of Art and Letters First Poetry Award in 1975, and includes her best-known poem, "I Am a Black Woman". [18]
Gloria Hull in her book Color, Sex, and Poetry, argues that Johnson's work ought to be placed in an exceedingly distinguished place within the Harlem Renaissance, and that for African-American women writers "they desperately need and deserve long overdue scholarly attention". Hull, through a black feminist critical perspective, appointed ...