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In her 1970 book Meaning and Expression: Toward a Sociology of Art, Hanna Deinhard gives one approach: "The point of departure of the sociology of art is the question: How is it possible that works of art, which always originate as products of human activity within a particular time and society and for a particular time, society, or function -- even though they are not necessarily produced as ...
Contemporary sociologists' approach to culture is often divided between a "sociology of culture" and "cultural sociology"—the terms are similar, though not interchangeable. [2] The sociology of culture is an older concept, and considers some topics and objects as more or less "cultural" than others.
A cultural artifact, or cultural artefact (see American and British English spelling differences), is a term used in the social sciences, particularly anthropology, [1] ethnology [2] and sociology [citation needed] for anything created by humans which gives information about the culture of its creator and users.
Non-material culture refers to the non-physical ideas that individuals have about their culture, including values, belief systems, rules, norms, morals, language, organizations, and institutions, while material culture is the physical evidence of a culture in the objects and architecture they make or have made.
Culture – A collection of shared beliefs, values, objectives, and customs that define a group of people, such as the people of a particular region. Culture includes the elements that characterize a particular peoples' way of life. The arts – vast subdivision of culture, composed of many creative endeavors and disciplines. The arts ...
Sociological criticism is influenced by New Criticism; however, it adds a sociological element as found with critical theory (Frankfurt School), and considers art as a manifestation of society, one that contains metaphors and references directly applicable to the existing society at the time of its creation. According to Kenneth Burke, works of ...
Cultural reproduction, a concept first developed by French sociologist and cultural theorist Pierre Bourdieu, [1] [2] is the mechanisms by which existing cultural forms, values, practices, and shared understandings (i.e., norms) are transmitted from generation to generation, thereby sustaining the continuity of cultural experience across time.
As an intellectual, J. B. Priestley sought to create a positive cultural space for the concept of the middlebrow, which would be characterised by earnestness, friendliness, and ethical concern; [10] and couched his defence of the middlebrow in terms of radio stations, praising the BBC Home Service for cosiness and plainness, a cultural space ...