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Roger Joseph Ebert (/ ˈ iː b ər t / EE-bərt; June 18, 1942 – April 4, 2013) was an American film critic, film historian, journalist, essayist, screenwriter and author.He was the film critic for the Chicago Sun-Times from 1967 until his death in 2013.
[6] Metacritic, which uses a weighted average, assigned the film a score of 39 out of 100, based on 17 critics, indicating "generally unfavorable" reviews. [7] Roger Ebert, however, wrote that the movie was "filled with bright ideas and fresh thinking" and "still finds surprises" despite a somewhat clichéd premise. [8]
The film makes use of footage and interviews with American film critic Roger Ebert during the final months of his life interspersed with interviews of his friends, colleagues, and family including: Chaz Ebert (his wife), Martin Scorsese, Werner Herzog, Errol Morris, A.O. Scott, Jonathan Rosenbaum, Ramin Bahrani, Gregory Nava, Richard Corliss, and Ava DuVernay, among others.
RogerEbert.com is an American film review website that archives reviews written by film critic Roger Ebert for the Chicago Sun-Times and also shares other critics' reviews and essays. The website, underwritten by the Chicago Sun-Times, was launched in 2002. [1] Ebert handpicked writers from around the world to contribute to the website.
The film is on the list of Roger Ebert's most hated films. [37] In his original review, Ebert stated, "The movie is an assault on the eyes, the ears, the brain, common sense and the human desire to be entertained". On Siskel and Ebert, Ebert gave it a Thumbs Down.
Roger Ebert gave the film four out of four stars, highlighting Fiorentino's ability to project her character with dry humor and a freedom from Hollywood conventions typically surrounding a female antagonist. [16] Ebert later ranked the film fifth on his year-end list of 1994's best movies. [17] He wrote in the Chicago Sun-Times:
Related: 25 Best Alternative Christmas Movies 5. Die Hard is a little formulaic, over-the-top, and comforting—just like so many of the best Christmas movies.. Die Hard stands out because of the ...
Roger Ebert also gave the film a positive review, awarding it three out of four stars. [15] However, he pointed out that the young age of Nick shows there is a double standard in films when it comes to the issue of consent and sex. [15] He added the film "effectively deflects criticism in this area by making Roger the victim and the subject.
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