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[28] [29] Ettinger's language, developed slowly from 1985 and until now in poetic writing in artist's books and in academic writing, includes her original concepts like: matrixial time-space, matrixial space, metramorphosis, com-passion, coemergence, cofading, copoiesis, wit(h)nessing, fascinance, carriance, psychic pregnance, distance-in ...
Shiroi Heya no Futari (Japanese: 白い部屋のふたり, lit. 'The Couple in the White Room') is a Japanese manga one-shot written and illustrated by Ryoko Yamagishi, originally published in the February 1971 issue of the manga magazine Ribon Comic.
[Chinese yīn shade, feminine; the moon.] a. In Chinese philosophy, the feminine or negative principle (characterized by dark, wetness, cold, passivity, disintegration, etc.) of the two opposing cosmic forces into which creative energy divides and whose fusion in physical matter brings the phenomenal world into being.
Binah (understanding and perception) is the great mother, the feminine receiver of energy and giver of form. Binah receives the intuitive insight from Chokmah and dwells on it in the same way that a mother receives the seed from the father, and keeps it within her until it's time to give birth.
Murdock stated that the heroine's journey is the healing of the wounding of the feminine that exists deep within her and the culture. [1] Murdock explains, "The feminine journey is about going down deep into soul, healing and reclaiming, while the masculine journey is up and out, to spirit." [2]
[6] Feminist science fiction is sometimes taught at the university level to explore the role of social constructs in understanding gender. [7] Notable texts of this kind are Ursula K. Le Guin's The Left Hand of Darkness (1969), Joanna Russ' The Female Man (1970), Octavia Butler's Kindred (1979), and Margaret Atwood's Handmaid's Tale (1985).
The academic discipline of women's writing is a discrete area of literary studies which is based on the notion that the experience of women, historically, has been shaped by their sex, and so women writers by definition are a group worthy of separate study: "Their texts emerge from and intervene in conditions usually very different from those which produced most writing by men."
This goddess was initially known as Xuannü (玄女). [4] The name has been variously translated as the "Dark Lady" [5] [6] or the "Mysterious Lady" [6] in English. In the late Tang dynasty, the Daoist master Du Guangting (850–933) created the title Jiutian Xuannü (九天玄女), adding Jiutian (meaning "[of the] Nine Heavens"), to refer to the goddess.