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Family Ties is an American television sitcom that aired on NBC for seven seasons, premiering on September 22, 1982, and concluding on May 14, 1989. The series, created by Gary David Goldberg, reflected the social shift in the United States from the cultural liberalism of the 1960s and 1970s to the conservatism of the 1980s. [2]
"Without Us" from Family Ties (Barry, Scott) – 4:02 "So Deep in Love" (Barry, Bruce Roberts) – 4:32 "Comme ci, comme ça" and "So Deep in Love" had not been available before. The former was recorded during the sessions for this album, the latter at the same session as the theme song for the series.
Family Guy (opening with a parody of the All in the Family theme) – Walter Murphy; Family Law ("War") – Edwin Starr and the Brink; Family Matters ("As Days Go By") – Jesse Frederick; Family Ties ("Without Us") – Jeff Barry and Tom Scott; (sung by Mindy Sterling and Dennis Tufano) season 1, episodes 1–10; (sung by Johnny Mathis and ...
Five years after the original release, the studio version of "At This Moment" was included on several episodes of the NBC sitcom Family Ties during the 1985–86 season as the love song associated with Alex P. Keaton (played by Michael J. Fox) and his girlfriend Ellen Reed (played by Tracy Pollan, whom Fox
The 1980s produced chart-topping hits in pop, hip-hop, rock, and R&B. Here's a list of the best songs from the time, ranging from Toto to Michael Jackson.
Family Matters was only a moderate success until Jaleel White's Steve Urkel was added in early 1990, becoming the show's breakout character. "As Days Go By" remained as the Family Matters theme in various forms until the beginning of the show's seventh season. It wasn't until the start of the series' fifth season in 1993 that Frederick and ...
June Deniece Williams (née Chandler; born June 3, 1950) [1] [2] [3] is an American singer. She has been described as "one of the great soul voices" by the BBC. [4]She is best known for the songs "Free", "Silly", "It's Gonna Take a Miracle" and two Billboard Hot 100 No.1 singles "Let's Hear It for the Boy" and "Too Much, Too Little, Too Late" (with Johnny Mathis).
The episode's theme song and opening titles were praised, with Robinson calling the theme song "treacly" and comparing the title sequence to the "paint-by-numbers cast 'portrait'" sequence of Family Ties, [57] and Riesman saying it was the most artistically interesting part of the episode with Anderson-Lopez and Lopez's singing being "genuinely ...