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Pee Mak (Thai: พี่มาก..พระโขนง; RTGS: phi mak phra khanong) is a 2013 Thai supernatural horror comedy romance film directed and co-written by Banjong Pisanthanakun. [2] The story is an adaptation of the Mae Nak Phra Khanong legend of Thai folklore . [ 2 ]
The Medium (2021), a Thai-South Korean co-production, was awarded Best Film at the 25th Bucheon International Fantastic Film Festival [16] and was the Thai submission for the Academy Award for Best International Feature Film in its year of release, but was not nominated. However, "the appearance of zombies in Thai horror films is a relatively ...
Shutter (Thai: ชัตเตอร์ กดติดวิญญาณ Chattoe: Kot Tit Winyan, "Shutter: Press to Capture Ghosts") [2] is a 2004 Thai supernatural horror film by Banjong Pisanthanakun and Parkpoom Wongpoom; starring Ananda Everingham, Natthaweeranuch Thongmee, and Achita Sikamana.
Nang Nak (Thai: นางนาก) is a 1999 Thai supernatural horror film based on the Thai legend of Mae Nak Phra Khanong. It was directed by Nonzee Nimibutr and released in 1999 by Buddy Film and Video Production Co. in Thailand. It depicts the life of a devoted ghost wife and her unsuspecting husband.
It was produced as a sequel to the 1970 movie The Snake King's Wife. It is the first full-length feature film for cinema to be produced in Cambodia since before the Khmer Rouge era. [ 1 ] The special effect of the lead character's head being full of writhing snakes was achieved by gluing live snakes to a cap worn by the actress.
The Thai have defeated the Khmer Empire in the mid-18th century and taken the lovely Princess Tarawatee prisoner. Seeing her beauty, the Thai ruler weds her, but then later sees her in the arms of another man. He sentences them both to death – one through beheading and the other to be burnt to death.
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The Snake Man, also known as The Snake King's Wife (Khmer: ពស់កេងកង, Pós Kéngkâng; Thai: งูเก็งกอง, RTGS: Ngu-kengkong) is a 1970 Cambodian drama horror film based on a Cambodian myth about a snake goddess, starring the most well-known Khmer actress of the era, Dy Saveth and Chea Yuthorn, who became popular in Thailand after the film's release. [1]