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The sociological theory of a generation gap first came to light in the 1960s, when the younger generation (later known as baby boomers) seemed to go against everything their parents had previously believed in terms of music, values, government and political views as well as cultural tastes. Sociologists now refer to the "generation gap" as ...
The "Generation Gap", or the inevitable perceived divide in worldview between the old and young, was perhaps never greater than during the counterculture era. [55] A large measure of the generational chasm of the 1960s and early 1970s was born of rapidly evolving fashion and hairstyle trends that were readily adopted by the young, but often ...
You might've seen the term "feminine energy" on social media, but what does it mean? Ahead, experts explain the complex and nuanced gender concept: Everything You Know About 'Feminine Energy' Isn ...
It has been suggested by Cixous herself that more free and flowing styles of writing such as stream of consciousness, have a more "feminine" structure and tone than that of more traditional modes of writing. This theory draws on ground theory work in psychoanalysis about the way that humans come to understand their social roles.
The academic discipline of women's writing is a discrete area of literary studies which is based on the notion that the experience of women, historically, has been shaped by their sex, and so women writers by definition are a group worthy of separate study: "Their texts emerge from and intervene in conditions usually very different from those which produced most writing by men."
This article contains a list of writers from a variety of national backgrounds who have been considered to be part of the Lost Generation. [1] The Lost Generation includes people born between 1883 and 1900, and the term is generally applied to reference the work of these individuals during the 1920s.
[1] [3] [4] Most genres and subgenres have undergone a similar analysis, so literary studies have entered new territories such as the "female gothic" [5] or women's science fiction. According to Elyce Rae Helford, "Science fiction and fantasy serve as important vehicles for feminist thought, particularly as bridges between theory and practice."
Mannheim defined a generation (note that some have suggested that the term cohort is more correct) to distinguish social generations from the kinship (family, blood-related generations) [2] as a group of individuals of similar ages whose members have experienced a noteworthy historical event within a set period of time.