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Doors were often surmounted by decorative fanlights in which the panes of glass might be supported by lead, but wood was also commonly used as the support for the glass in fanlights. Casement windows and fixed windows continued to employ leadlight, often with larger panes of rectangular rather than diamond shape.
Connick's 73-foot (22 m) tall transept windows of Heinz Memorial Chapel at the University of Pittsburgh are among the tallest in the world. Connick preferred to use clear "antique" glass, similar to that of the Middle Ages and praised this type of glass as "colored radiance, with the lustre, intensity, and baffling vibrant quality of dancing lights."
Instead of a west-facing window, designers use an R-13 foam-filled solid energy-efficient exterior door. It may have a glass storm door on the outside so that light can pass through when the inner door is opened. East/west glass doors and windows should be fully shaded top-to-bottom or a spectrally selective coating can be used to reduce solar ...
Came glasswork includes assembling pieces of cut and possibly painted glass using came sections. The joints where the came meet are soldered to bind the sections. When all of the glass pieces have been put within came and a border put around the entire work, pieces are cemented and supported as needed. [1]
While most of the work of Wailes' workshop is to be found in the North of England, other commissions came from further afield. The most significant window glazed by the firm, and one of the prize commissions of the industry, was the glazing of the west window of Gloucester Cathedral, an enormous window of c.1430 in the Perpendicular Gothic style, of nine lights and four tiers.
The use of thicker glass produces deeper colour effects than traditional lead came stained-glass, especially when illuminated by bright natural or artificial light. [ 1 ] [ 2 ] The technique achieved prominence in the stained glass literature of the 1950s and 1960s.
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