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Oedipus describes the riddle of the Sphinx by Jean-Auguste-Dominique Ingres, c. 1805. In classical psychoanalytic theory, the Oedipus complex (also spelled Œdipus complex) refers to a son's sexual attitude towards his mother and concomitant hostility toward his father, first formed during the phallic stage of psychosexual development.
Jones' investigation was first published as "The Œdipus-complex as an Explanation of Hamlet's Mystery: A Study in Motive" (in The American Journal of Psychology, January 1910); it was later expanded in a 1923 publication; [4] before finally appearing as a book-length study (Hamlet and Oedipus) in 1949. [5]
Oedipus (UK: / ˈ iː d ɪ p ə s /, also US: / ˈ ɛ d ə-/; Ancient Greek: Οἰδίπους "swollen foot") was a mythical Greek king of Thebes.A tragic hero in Greek mythology, Oedipus fulfilled a prophecy that he would end up killing his father and marrying his mother, thereby bringing disaster to his city and family.
One of the best examples of this theme that Ovid so clearly draws upon is the speech given by a messenger in Oedipus Rex that tells of the death of Jocasta and the blinding of Oedipus. [24] This famous speech follows in the same theme of that given by Hecuba, previous actions and the fates that lead characters to destruction and death.
The influential early 20th Century French Theatre critic Antonin Artaud considered Seneca's Oedipus and Thyestes models for his Theatre of Cruelty, originally speaking and writing about Seneca's use of 'the plague' in Oedipus in a famous lecture on 'Theatre and the Plague' given at the Sorbonne (April 6, 1933) and later revised and printed in ...
An example of one of the true riddles is this, on a writing tablet: 'Wood gave birth to me and iron reformed me, and I am the mystic receptacle of the Muses. When shut I am silent, but I speak when you unfold me. Ares alone is the confidant of my conversation', where Ares is not only the name of a god, but a poetic term for a stylus. [5]: 58
Seven Against Thebes (Ancient Greek: Ἑπτὰ ἐπὶ Θήβας, Hepta epi Thēbas; Latin: Septem contra Thebas) is the third play in an Oedipus-themed trilogy produced by Aeschylus in 467 BC. The trilogy is sometimes referred to as the Oedipodea. [2]
Oedipus Rex, also known by its Greek title, Oedipus Tyrannus (Ancient Greek: Οἰδίπους Τύραννος, pronounced [oidípuːs týrannos]), or Oedipus the King, is an Athenian tragedy by Sophocles. While some scholars have argued that the play was first performed c. 429 BC, this is highly uncertain. [1]