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Franz Schubert's Trout Quintet and Antonín Dvořák's Piano Quintet No. 2 are both in A major. Johannes Brahms, César Franck, and Gabriel Fauré wrote violin sonatas in A major. In connection to Beethoven's Kreutzer Sonata, Peter Cropper said that A major "is the fullest sounding key for the violin." [2]
(Certain microtonal scales, particularly quarter tones, can be played on a standard guitar solely by adjusting tunings, but the distance between notes on the scale makes it somewhat impractical.) It is possible to play microtonal scales on a fretless guitar , to convert a fretted guitar into a fretless, or to make a custom neck with a specific ...
Such labeling requires the choice of a "first" note; hence scale-degree labels are not intrinsic to the scale itself, but rather to its modes. For example, if we choose A as tonic, then we can label the notes of the C major scale using A = 1, B = 2, C = 3, and so on. When we do so, we create a new scale called the A minor scale.
The chromatic scale climbs after exactly four frets in major-thirds tuning, so reducing the extensions of the little and index fingers ("hand stretching"). [6] For other regular tunings, the successive strings have intervals that are minor thirds, perfect fourths, augmented fourths, or perfect fifths; thus, the fretting hand covers three, five ...
These 24 Preludes are based on a seven-note scale consisting of the six notes of the whole–tone scale with the addition of the perfect fourth [254] The sequence includes preludes in D#, G# and A#, which are normally considered theoretical keys as their key signatures include double sharps. Michelle Gorrell [255]
Relative keys are the most closely related, as they share exactly the same notes. [3] The major key and the minor key also share the same set of chords. In every major key, the triad built on the first degree (note) of the scale is major, the second and third are minor, the fourth and fifth are major, the sixth minor and the seventh is diminished.
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