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Killing Jesus is an American television film inspired by the 2013 book of the same title by Bill O'Reilly and Martin Dugard. This is National Geographic 's third installment of television adaptations of O'Reilly's non-fiction books, which include Killing Lincoln and Killing Kennedy .
Killing Jesus: A History is a 2013 book by Bill O'Reilly and Martin Dugard about the life and crucifixion of Jesus, referred to in the book as Jesus of Nazareth. It is the follow-up to Killing Kennedy and Killing Lincoln. Killing Jesus was released September 24, 2013, [1] through Henry Holt and Company.
The Passion of the Christ (6 P) Pages in category "Film portrayals of Jesus' death and resurrection" The following 35 pages are in this category, out of 35 total.
Jean-Pierre Isbouts (born 1954) is a professor in the Social Sciences PhD program of Fielding Graduate University in Santa Barbara, California, [2] and an archaeologist, author, screenwriter, director, and producer of works addressing various historical periods, particularly the time period of Jesus and that of Renaissance and post-Renaissance art.
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art , [ 1 ] it had been reproduced over half a billion times worldwide by the end of the 20th century. [ 2 ]
3. The sleep of Jesus 4. The Samaritan 5. The miracle of Jairus's daughter 6. Mary Magdalene washes the feet of Jesus 7. Palm Sunday 8. The last supper 9. The olive garden 10. The night watch 11. Judas's betrayal 12. Jesus before Caiphus 13. The denial of St. Peter 14. Jesus before Pontius Pilatus 15. The torment 16. Ecce homo 17. The bearing ...
From the middle of the 4th century, after Christianity was legalized by the Edict of Milan in 313, and gained Imperial favour, there was a new range of images of Christ the King, [47] using either of the two physical types described above, but adopting the costume and often the poses of Imperial iconography.
The painting in its current frame, hanging in the National Gallery. The Latin form of Pilate's words, "Behold the man", has given the title Ecce Homo to this picture. It is the moment when Jesus comes forth from the rude mockery of the soldiers, clad in a royal robe, and wearing the crown of thorns.