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Kathryn Elizabeth Morgan (born August 17, 1988) [citation needed] is an American ballet dancer. She joined New York City Ballet in 2006 and was promoted to the rank of soloist in 2009. Morgan left New York City Ballet in 2012 due to health complications related to her suffering from Hashimoto's thyroiditis.
New York City Ballet's Fourth Ring Society offered discounted tickets to all shows in the theater's Fourth Ring for a small annual fee. This program was closed to new members in 2011 and renamed Society NYCB to reflect an expanded offering of discounted seats in all sections of the theater, although over time a few ballet programs (e.g ...
Charlotte Nebres (born 2008 or 2009) [1] is an American pre-professional ballet dancer. In 2019, at eleven years old, she become the first Black ballerina to dance the role of Marie in New York City Ballet's production of George Balanchine's The Nutcracker. [2]
Real New York City Ballet dancers were used in the production and rotoscoped in order to properly capture ballet movements - the Trepak, the Adagio from the pas de deux, and the Dance of the Sugar Plum Fairy are performed much as they would be in a live production of The Nutcracker. Peter Martins served as choreographer. In this version, the ...
She was invited to join the company's corps de ballet in 2010 and promoted to soloist in 2013. In 2015, she was promoted to principal dancer. [1] She has danced an extensive repertoire at New York City Ballet, including existing and new works by George Balanchine, Jerome Robbins, Peter Martins, Justin Peck, Alexei Ratmansky, and Christopher ...
Diana Adams (March 29, 1926 – January 10, 1993) was a principal dancer for the New York City Ballet from 1950 to 1963 and favorite of George Balanchine, later becoming a teacher at — and dean of — the School of American Ballet. Adams was born in Staunton, Virginia and died in San Andreas, California, [1] though she lived in Arnold ...
The companies count among the world’s very best by any estimation: Alvin Ailey American Dance Theater, American Ballet Theatre, Ballet Hispanico, Dance Theatre of Harlem, and New York City Ballet.
In early 1979, Kistler was selected to study at New York City Ballet's School of American Ballet (SAB), where she met George Balanchine. She joined the New York City Ballet (NYCB) corps de ballet in 1980, and was featured in a Time article before the end of the year.