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As the chords of a 12-bar blues follow a form, so does the melodic line. The melodic line might just be the melody of the piece or it might also include lyrics. The melody and lyrics frequently follow an AA'B form, meaning one phrase is played then repeated (perhaps with a slight alteration), then something new is played. [14]
Twelve Bar Blues is a 2001 novel by Patrick Neate, [1] [2] and the winner of that year's Whitbread novel award.. The story is essentially about two people who share a common history - Fortis 'Lick' Holden, a cornet player in early 20th Century New Orleans, and Sylvia Di Napoli, a retired prostitute living in modern-day London, who is searching for her ancestry.
The album received positive reviews. In a retrospective review, Stephen Thomas Erlewine of AllMusic declared that "12 Bar Blues is an unpredictable, carnivalesque record confirming that Weiland was the visionary behind STP's sound. He's fascinated by sound, piling on layers of shredded guitars, drum loops, and keyboards, making sure that each ...
Song structure is the arrangement of a song, [1] and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs.Common piece-level musical forms for vocal music include bar form, 32-bar form, verse–chorus form, ternary form, strophic form, and the 12-bar blues.
"Equinox" is a minor blues [1] jazz standard by American jazz saxophone player and composer John Coltrane. It was originally released on Coltrane's Sound [2] played in C # minor with a slow swing feel. However, it is usually played in C minor.
Handy later rewrote the tune and changed its name from "Mr. Crump" to "Memphis Blues." The 1912 publication of the sheet music of "The Memphis Blues" introduced his style of 12-bar blues; it was credited as the inspiration for the foxtrot by Vernon and Irene Castle, a New York dance team. Handy sold the rights to the song for $100.
"Misterioso" was the first 12-bar blues that Monk wrote, and it was first recorded on July 2, 1948, for the Wizard of the Vibes sessions, featuring Milt Jackson. [44] The tune later appears on Sonny Rollins, Vol. 2, [75] Misterioso, Big Band and Quartet in Concert, Live at the It Club and Live at the Jazz Workshop.
The song, using the arrangement from "Blue Guitar", is a moderately-slow tempo twelve-bar blues, notated in 12/8 time in the key of D. [9] For the melody line, Muddy Waters doubled Hooker's prominent slide-guitar line, giving the song its distinctive "hook".