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The Four Jewels" also refers to the cities, but appears to locate them at Lochlann and contends that the Tuatha Dé crossed the seas in their fleet rather than in a mist. The Tuatha Dé Danann—described as the offspring of Béothach son of Iarbonel—landed here to be instructed in the magic arts, embracing druidry ( druidecht ), knowledge ...
The meaning of Lugh's name is still a matter of debate. Some scholars propose that it derives from a suggested Proto-Indo-European root *(h2)lewgh-meaning "to bind by oath" (compare Old Irish luige and Welsh llw, both meaning "oath, vow, act of swearing" and derived from a suffixed Proto-Celtic form, *lugiyo-, "oath"), [7] suggesting that he was originally a god of oaths and sworn contracts. [4]
[3] The story is told that Achtan had a vision as she slept next to Art. She saw herself with her head cut off and a great tree growing out of her neck. Its branches spread all over Ireland, until the sea rose and overwhelmed it. Another tree grew from the roots of the first, but the wind blew it down.
Aengus - god of passionate and romantic love, youth and poetic inspiration; Áine - goddess of parental and familial love, summer, wealth and sovereignty; Banba, Ériu and Fódla - patron goddesses of Ireland
Cú Chulainn (/ k uː ˈ k ʌ l ɪ n / koo-KUL-in [1] [2] Irish: [kuːˈxʊlˠɪn̠ʲ] ⓘ), is an Irish warrior hero and demigod in the Ulster Cycle of Irish mythology, as well as in Scottish and Manx folklore. [3] He is believed to be an incarnation of the Irish god Lugh, who is also his father.
The Mythological Cycle is a conventional grouping within Irish mythology.It consists of tales and poems about the god-like Tuatha Dé Danann, who are based on Ireland's pagan deities, [1] and other mythical races such as the Fomorians and the Fir Bolg. [2]
The extant Irish examples have silver rather than bronze bases, as well as more decorated pinheads, a wider variety of inlay material such as red gold, amber, enamel, millefiori and glass, and larger terminals which had become the focal point for decoration. [2] Goldsmithing was a prominent craft in prehistoric Irish society.
The first part is generally agreed to be the Old Irish fo, meaning under, below, lower, beneath, nether, etc. The meaning of the second part is unclear. One suggestion is that it comes from Old Irish mur (sea), and that the name means something like "the undersea ones". [8] This was the interpretation offered by some medieval Irish writers. [9]