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The Sunlight on the Garden is a 24-line poem by Louis MacNeice. It was written in late 1936 and was entitled Song at its first appearance in print, in The Listener magazine, January 1937. [ 1 ] It was first published in book form as the third poem in MacNeice's poetry collection The Earth Compels (1938).
The album art of other musicians has been influenced by Blue Note's covers, including Elvis Costello's Almost Blue (1981), whose cover is an homage to Burrell's Midnight Blue (1963), Van Morrison's The Skiffle Sessions – Live in Belfast (1998), which has a cover inspired by Blakey's Free for All (1965), and Aesop Rock's Float (2000), whose ...
Opie Ortiz is an American artist specializing in tattoos, pop art and murals. Ortiz is best known for his art featured on Sublime album covers. [1] Murals painted by Ortiz can be found in and around Long Beach, California. [2] [3]
In the history of album cover art, only two parties have become arguably almost as famous as some of the bands they shot or designed for: Hipgnosis, in the 1970s, and Anton Corbijn, from the mid ...
Columbia hired him in 1954 to lead the design department, building on the work of Alex Steinweiss who established the practice of custom cover art. Fujita was the first to commission painters, photographers and illustrators to create cover art for Columbia's albums. Columbia felt a particular need to keep up with the cover art of Blue Note Records.
The Earth Compels gathers together poems written by Louis MacNeice between 1935 and 1937. The manuscript was sent to the publishers Faber and Faber in late 1937. T. S. Eliot, who was an editor at Fabers and had previously given encouragement and support to MacNeice, wrote back on 6 January 1938: 'I have read THE EARTH COMPELS last night, and am very much pleased with it.'
Tony Wright (born 23 October 1949, in London), also known as Sue Ab Surd, is an artist who created album covers such as Bob Marley's Natty Dread and Traffic's The Low Spark of High Heeled Boys [1] and others including Bob Dylan's Saved. [2]
Self-consciously nerdy in an era of scuzzy post-grunge bluster, 1994's crisp and witty "Weezer" — soon to be known as the Blue Album because of its cover (and the fact that the band kept naming ...